Excerpt from The Round Table, Vol. 2: A Collection of Essays on Literature, Men, and Manners
The general principle of the difference between the two heads is this - The forehead of the Greek is square and upright, and, as it were, overhangs the rest of the face, except the nose, which is a continuation of it almost in an even line. In the Negro or African, the tip of the nose is the' most projecting part of the face; and from that point the features retreat back, both upwards towards the forehead, and downwards to the chin. This last form is an approximation to the shape of the head of the animal, as the former bears the strong est stamp of humanity.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Sinopsis" puede pertenecer a otra edición de este libro.
Excerpt from The Round Table, Vol. 2: A Collection of Essays on Literature, Men, and Manners
The general principle of the difference between the two heads is this - The forehead of the Greek is square and upright, and, as it were, overhangs the rest of the face, except the nose, which is a continuation of it almost in an even line. In the Negro or African, the tip of the nose is the' most projecting part of the face; and from that point the features retreat back, both upwards towards the forehead, and downwards to the chin. This last form is an approximation to the shape of the head of the animal, as the former bears the strong est stamp of humanity.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Round Table, Vol. 2: A Collection of Essays on Literature, Men, and Manners
It is about sixty years ago that Sir Joshua Reynolds, in three papers which he wrote in the Idler, advanced the notion, which has prevailed very much ever since, that Beauty was entirely dependant on custom, or on the conformity of objects to a given standard. Now, we could never persuade ourselves that custom, or the association of ideas, though a very powerful, was the only principle of the preference which the mind gives to certain objects over others. Novelty is surely one source of pleasure; otherwise we cannot account for the well-known epigram, beginning -
"Two happy things in a marriage are allowed," &c.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Forgotten Books, London, Reino Unido
Paperback. Condición: New. Print on Demand. This book offers a set of 19th-century essays on aesthetics first published in various periodicals. The author argues that beauty and taste can be inherent to objects and that custom is not the sole determinant of preference. The essays also explore other topics including imitation, which the author argues is both natural and can give insight into the distinctions of nature and art. The musings of this text on the philosophical underpinnings of taste, beauty, and imitation will interest those engaged in aesthetics and the philosophy of art. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781331171652_0
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781331171652
Cantidad disponible: 15 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781331171652
Cantidad disponible: 15 disponibles
Librería: Buchpark, Trebbin, Alemania
Condición: Sehr gut. Zustand: Sehr gut | Seiten: 276 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. Nº de ref. del artículo: 25893971/2
Cantidad disponible: 1 disponibles