Master the craft of the paragraph with practical guidance from a classic rhetoric. In this edition, you’ll discover clear rules for writing strong, effective paragraphs and creating readable prose. It focuses on how emphasis, structure, and word choice shape meaning, with techniques you can apply right away.
From tightening sentences to avoiding weak endings, the material helps you build paragraphs that carry your argument with force. You’ll see how to vary structure, manage emphasis, and choose precise terms to improve clarity and impact. The book also offers guidance on rhythm, flow, and the art of presenting ideas in a convincing, well-organized way.
Ideal for students and anyone writing essays, reports, or college papers.
"Sinopsis" puede pertenecer a otra edición de este libro.
Excerpt from Paragraph-Writing: A Rhetoric for Colleges
If there is a measure of truth in what has here been urged, it would appear that for certain periods in the stu dent's development the paragraph, as an example of struc tural unity, offers peculiar advantages. The nature of these advantages has already been suggested. They are, in brief, as follows: The paragraph, being in its method practically identical with the essay, exemplifies identical principles of structure. It exemplifies these principles in small and convenient compass so that they are easily appreciable by the beginner. Further, while the writing of the paragraph exercises the student in the same elements of structure which would be brought to his attention were he drilled in the writing of essays, he can write more paragraphs than he can write essays in the same length of time; hence the character of the work may be made for him more varied.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Paragraph-Writing: A Rhetoric for Colleges
The idea which underlies this work and which has given to it its distinctive place and character was thus set forth in the preface to the first edition: -
Learning to write well in one's own language means in large part learning to give unity and coherence to one's ideas. It means learning to construct units of discourse which have order and symmetry and coherence of parts. It means learning theoretically how such units are made, and practically how to put them together; and further, if they turn out badly the first time, how to take them apart and put them together again in another and better order. The making and re-making of such units is in general terms the task of all who produce written discourse.
The task of the teacher of those who produce written discourse, it follows, is in great part setting students to construct such units, explaining the principles upon which the units are made, arousing a sense that they are units and not mere heaps or nebulous masses, and (hoc opus, hie labor est) correcting departures from unity, order, and coherence when such departures occur.
Work of this kind on the part of writer or of teacher presupposes a unit of discourse. Of these units there are three, - the sentence, the paragraph, and the essay or whole composition. Which of these three is best adapted, psychologically and pedagogically, to the end proposed? The sentence may be rejected at the outset as at once too simple and too fragmentary.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Librería: Forgotten Books, London, Reino Unido
Paperback. Condición: New. Print on Demand. Delving into the intricacies of English composition, this book provides a comprehensive guide to mastering the art of writing well in one's own language. It emphasizes the crucial role of unity and coherence in constructing effective prose, highlighting the importance of presenting ideas with order and symmetry. The author adeptly deconstructs units of discourse, explaining the principles behind their construction and offering practical guidance on how to refine and enhance one's writing. This book not only equips readers with the technical aspects of composition but also explores the theoretical underpinnings, examining the different types of compositions and their respective characteristics. The author's insightful analysis and wealth of examples provide valuable lessons for students, teachers, and anyone seeking to improve their writing skills. Ultimately, this book serves as an invaluable resource for those seeking to develop a deeper understanding of the art of composition and to harness its power for effective written communication. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781330971079_0
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330971079
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