Paragraph-Writing (Classic Reprint): A Rhetoric for Colleges: A Rhetoric for Colleges (Classic Reprint) - Tapa blanda

Scott, Fred Newton

 
9781330971079: Paragraph-Writing (Classic Reprint): A Rhetoric for Colleges: A Rhetoric for Colleges (Classic Reprint)

Sinopsis

Master the craft of the paragraph with practical guidance from a classic rhetoric. In this edition, you’ll discover clear rules for writing strong, effective paragraphs and creating readable prose. It focuses on how emphasis, structure, and word choice shape meaning, with techniques you can apply right away.

From tightening sentences to avoiding weak endings, the material helps you build paragraphs that carry your argument with force. You’ll see how to vary structure, manage emphasis, and choose precise terms to improve clarity and impact. The book also offers guidance on rhythm, flow, and the art of presenting ideas in a convincing, well-organized way.




  • Develop strong emphasis and varied sentence forms to keep readers engaged

  • Learn to cut unnecessary words and tighten your prose for better clarity

  • Identify and fix weak endings, awkward constructions, and flat phrasing

  • Study practical guidance on rhythm, euphony, and persuasive writing



Ideal for students and anyone writing essays, reports, or college papers.

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Reseña del editor

Excerpt from Paragraph-Writing: A Rhetoric for Colleges

If there is a measure of truth in what has here been urged, it would appear that for certain periods in the stu dent's development the paragraph, as an example of struc tural unity, offers peculiar advantages. The nature of these advantages has already been suggested. They are, in brief, as follows: The paragraph, being in its method practically identical with the essay, exemplifies identical principles of structure. It exemplifies these principles in small and convenient compass so that they are easily appreciable by the beginner. Further, while the writing of the paragraph exercises the student in the same elements of structure which would be brought to his attention were he drilled in the writing of essays, he can write more paragraphs than he can write essays in the same length of time; hence the character of the work may be made for him more varied.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Paragraph-Writing: A Rhetoric for Colleges

The idea which underlies this work and which has given to it its distinctive place and character was thus set forth in the preface to the first edition: -

Learning to write well in one's own language means in large part learning to give unity and coherence to one's ideas. It means learning to construct units of discourse which have order and symmetry and coherence of parts. It means learning theoretically how such units are made, and practically how to put them together; and further, if they turn out badly the first time, how to take them apart and put them together again in another and better order. The making and re-making of such units is in general terms the task of all who produce written discourse.

The task of the teacher of those who produce written discourse, it follows, is in great part setting students to construct such units, explaining the principles upon which the units are made, arousing a sense that they are units and not mere heaps or nebulous masses, and (hoc opus, hie labor est) correcting departures from unity, order, and coherence when such departures occur.

Work of this kind on the part of writer or of teacher presupposes a unit of discourse. Of these units there are three, - the sentence, the paragraph, and the essay or whole composition. Which of these three is best adapted, psychologically and pedagogically, to the end proposed? The sentence may be rejected at the outset as at once too simple and too fragmentary.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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