Problems of the Playwright (Classic Reprint) - Tapa blanda

Hamilton, Clayton Meeker

 
9781330772225: Problems of the Playwright (Classic Reprint)

Sinopsis

Excerpt from Problems of the Playwright

But this new criticism of a new creation has not as yet attained its classic stage. Sophocles achieved his Aristotle;,but our great contemporary drama still awaits a great dramatic critic. The task of criticism is more difficult to-day than it has ever been before. For one thing, the drama has become, for the first time, cosmopolitan. In interpreting the periods of Sophocles, Calderon, Shakespeare, and Moliere, the critic could confine his attention, in each instance, to a single nationality. But worthy contributions to the con temporary drama have been made by nations so diverse as Scandinavia, Russia, Germany, Austria, France, Belgium, Holland, Hungary, Italy, Spain, England, and America. Aristotle could actually see and study at first hand all the plays that' were existent in his world; but, on the same terms, no modern critic could possibly evaluate the best dramatic productions of the last thirty years.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reseña del editor

Excerpt from Problems of the Playwright

But this new criticism of a new creation has not as yet attained its classic stage. Sophocles achieved his Aristotle;,but our great contemporary drama still awaits a great dramatic critic. The task of criticism is more difficult to-day than it has ever been before. For one thing, the drama has become, for the first time, cosmopolitan. In interpreting the periods of Sophocles, Calderon, Shakespeare, and Moliere, the critic could confine his attention, in each instance, to a single nationality. But worthy contributions to the con temporary drama have been made by nations so diverse as Scandinavia, Russia, Germany, Austria, France, Belgium, Holland, Hungary, Italy, Spain, England, and America. Aristotle could actually see and study at first hand all the plays that' were existent in his world; but, on the same terms, no modern critic could possibly evaluate the best dramatic productions of the last thirty years.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Problems of the Playwright

This book is a companion volume to The Theory op the Theatre and Studies in Stagecraft, and should, if possible, be read in association with its predecessors in the series.

We are living in the midst of a great period of the history of the drama - perhaps the very greatest that the world has ever seen; but the general theatre-going and play-reading public is only gradually developing a consciousness of this astounding fact. The reason is not difficult to define. In the evolution of any art, creation always precedes criticism, because criticism is merely an analysis of what has been created; and, since the contemporary drama began to bourgeon only thirty years ago, it is not surprising that contemporary criticism is only now beginning to interpret it. A few books by pioneers have been before the public for half a dozen or a dozen years, to plead, like lone voices in an almost empty auditorium, for adequate appreciation of the modern drama; but it was not until very recently that a sturdy group of books has been prepared to sally forth, shoulder to shoulder, like an army with banners, to conquer the credence of the public in the new era of great drama that is now contributing a glory to the theatre of the world.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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