Excerpt from The Modern Study of Literature: An Introduction to Literary Theory and Interpretation
To write a book, it seems to me, is sometimes a less difficult task than to hit upon the right title by which the book may be announced. The difficulty is aggravated by the author's consciousness that out of the unlimited number of readers who, conceivably, might be interested in the book, the vast majority will never get any farther than the title. In the present case, what I most desire my book to accomplish is that which is expressed by the sub-title - I desire it to be an introduction to literary theory and interpretation. But if I think so to announce it, I am met by the reflection that in the present generation of readers only a very small number - quite a negligible quantity - have any interest whatever in literary theory, nor do they think of literature in general as a thing to which interpretation applies. There is perhaps more of appeal in the suggestion of a wide disparity between the traditional study of literature and the high standard set by other modem studies. But if I elect to lay emphasis upon this, I am in danger of giving to what I say a polemic color, which is the last thing I should desire. And if - as I have done - I seek to unite the two suggestions, I forego at once the brevity which is the soul of more things than wit; and I place myself in the predicament of those who try to sit upon two stools, with a disconcerting prospect of falling between them.
For a period now of over forty years my life has been wholly occupied with the teaching of literature; partly in university classes, partly in the attractive sphere of university extension, where one encounters students who are both receptive and mature. It has always been my ambition to make some contribution toward the shaping of this study of literature, which by tradition is so miscellaneous and unorganized.
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Excerpt from The Modern Study of Literature: An Introduction to Literary Theory and Interpretation
I have gone into these details in order to make clear the design and use of the book which follows. An eminent teacher of literature was accustomed to impress upon his students that a general principle is as gas in the mouth of him that knows not the particulars. This touches what is the perpetual problem for the art of exposition - the question exactly how far to go in discussion of individual literary works, which have an interest of their own, in offering these as elucidation of literary theory. It would be possible to write a work which would be wholly theoretic; but this would not only make a dull book, it would further be a sin against the foundation principle that our first duty to literature is to love it. On the other hand, if in so large a field one surrenders freely to disquisition on literary master pieces, the connected thread oi philosophical theory is lost in the particulars. For philosophy is only a fine word for seeing things in their true perspective. The natural solution seems to be the plan here adopted: a single work devoted to literary theory, discussion of particular works being reduced to what is essential, supplemented by other works in which special portions of literature are followed out in detail. In the foot notes to this book I make references to other works of mine by which study of particular points can be carried farther. Very occasionally I have incorporated in this work tabular or other matter from my other books; for, while it may seem question able taste for an author to quote from himself, yet it seems a pity to seek out a second best illustration when a better is available.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Modern Study of Literature: An Introduction to Literary Theory and Interpretation
To write a book, it seems to me, is sometimes a less difficult task than to hit upon the right title by which the book may be announced. The difficulty is aggravated by the author's consciousness that out of the unlimited number of readers who, conceivably, might be interested in the book, the vast majority will never get any farther than the title. In the present case, what I most desire my book to accomplish is that which is expressed by the sub-title - I desire it to be an introduction to literary theory and interpretation. But if I think so to announce it, I am met by the reflection that in the present generation of readers only a very small number - quite a negligible quantity - have any interest whatever in literary theory, nor do they think of literature in general as a thing to which interpretation applies. There is perhaps more of appeal in the suggestion of a wide disparity between the traditional study of literature and the high standard set by other modem studies. But if I elect to lay emphasis upon this, I am in danger of giving to what I say a polemic color, which is the last thing I should desire. And if - as I have done - I seek to unite the two suggestions, I forego at once the brevity which is the soul of more things than wit; and I place myself in the predicament of those who try to sit upon two stools, with a disconcerting prospect of falling between them.
For a period now of over forty years my life has been wholly occupied with the teaching of literature; partly in university classes, partly in the attractive sphere of university extension, where one encounters students who are both receptive and mature. It has always been my ambition to make some contribution toward the shaping of this study of literature, which by tradition is so miscellaneous and unorganized.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Paperback. Condición: New. Print on Demand. This exceptional book spearheads the exploration into the theoretical and interpretive aspects of literary studies, drawing insights from across the spectrum of literary genres and their historical evolution. The author underscores the significance of viewing literature as a unified domain, transcending the traditional fragmented approach divided by language or region. By emphasizing inductive observation and principles of evolution, this book challenges the static perspective that has dominated literary analysis. The author introduces fundamental concepts such as the four cardinal points of literary formâ"description and presentation, poetry and proseâ"which form the foundation for understanding the diversity of literary expressions. Through examination of the elements of literary form, such as epic, drama, lyric, history, philosophy, and oratory, this book elucidates how they manifest in both written and oral traditions. By exploring the process of ''floating'' and ''fixed'' literature, the author demonstrates how works transition from oral iterations to written forms, highlighting the role of individual authorship and the impact on literary interests and conventions. Overall, this book offers a comprehensive and forward-looking perspective on literary theory and interpretation, presenting a compelling framework for understanding and appreciating the vast landscape of literature. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781330452110_0
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330452110
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Paperback. Condición: Brand New. 544 pages. 9.00x6.00x1.23 inches. This item is printed on demand. Nº de ref. del artículo: zk1330452119
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