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Musical Form (Classic Reprint) - Tapa blanda

Prout, Ebenezer A.

 
9781330340646: Musical Form (Classic Reprint)

Sinopsis

Unlock the building blocks of musical form with clear, practical guidance.

This guide explains how phrases, cadences, and rhythm work together to shape music you listen to and analyze. It uses concrete, example-filled explanations to show how composers craft symmetrical sentences, extended cadences, and rhythmical variety without losing coherence.

Readers will learn to spot fore- and after-phrases, understand cadence types, and see how irregular rhythms can be justified by underlying principles. The book walks through familiar passages from master works, helping you see the craft behind the sound.

  • Plain-language explanations of phrase structure and cadence
  • Techniques for recognizing extended and irregular rhythms
  • Illustrative examples from Haydn, Mozart, Mendelssohn, and Schubert

Ideal for students of music theory and thoughtful listeners who want a practical, hands-on approach to musical form.

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Reseña del editor

Excerpt from Musical Form

This 15 at all events more intelligible than the atrocious series of intervals given in the last section, but it still fails to satisfy either the ear or the mind. Why 15 this? What 15 it that is still wanting?

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Musical Form

The preceding volumes of this series have dealt chiefly with matters of musical theory, though theory and practice are so closely connected that it is impossible to draw a hard and fast line of demarcation between them. The present volume, on the other hand, is almost practical, and points of theory are hardly touched upon.

None of the earlier works of the series have involved anything like the amount of labour in their preparation that has been needful for this one. Very little is to be found in English musical literature concerning the subjects which occupy the greater part of the volume; and the materials had to be compiled partly from large German treatises on composition, which, however interesting and instructive, can certainly not be considered as "light reading," and, to a still larger extent, from the careful and often minute analysis of the works of the great masters. This, it is hoped, will be deemed a sufficient apology for the delay in the appearance of the present volume.

In dealing with the subject of Musical Form, the author felt that the only satisfactory and logical method was to begin with the rudiments. Rhythm - that is, the more or less regular recurrence of cadence, is as much an essential of music as it is of poetry. The first part of this volume is therefore devoted to an examination of the fundamental principles of Rhythm, as shown in the construction of musical phrases and sentences. Such an examination would have been incomplete without the analysis of a musical sentence into its ultimate constituents - the motives. In his treatment of this part of the subject the author must express his deep indebtedness to the researches of Dr. Hugo Riemann. He believes that this distinguished German theorist has been the first to recognized fully the true nature of the motive, and the connection of its unaccented notes, not with the preceding, but with the following accented note.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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