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Art in Theory (Classic Reprint): An Introduction to the Study of Comparative Easthetics: An Introduction to the Study of Comparative Easthetics (Classic Reprint) - Tapa blanda

Raymond, George Lansing

 
9781330089903: Art in Theory (Classic Reprint): An Introduction to the Study of Comparative Easthetics: An Introduction to the Study of Comparative Easthetics (Classic Reprint)

Sinopsis

Explore the ideas behind beauty in art and how critics shape what we see, hear, and feel. This edition surveys major theories in aesthetics and explains how art expresses mind and world through harmony, form, and effect.


Rooted in a long tradition of comparing arts, this volume argues that true aesthetic value comes from complex interactions between form, feeling, and perception. It traces how critics have treated beauty as both a personal impression and a universal standard, and it explains why the best art resists simple explanations.



  • Learn how beauty may arise from the harmony of physical and mental effects.

  • See why representation in art can differ from mere imitation or presentment.

  • Discover how ideas about form, tradition, and originality shape judgment across painting, sculpture, music, and architecture.

  • Consider examples and thought experiments that illuminate how viewers respond to art.


Ideal for readers of art theory and philosophy who want to connect critical ideas to how they experience works of art.

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Reseña del editor

Excerpt from Art in Theory: An Introduction to the Study of Comparative Easthetics

So much in explanation of the chief endeavor of this book, which is to get back to the first principles of our subject as revealed in the way in which they manifest themselves in the conditions of mind as related to those of matter.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Art in Theory: An Introduction to the Study of Comparative Easthetics

A prominent Review, in noticing the first book published of this series, entitled "Poetry as a Representative Art," took the author to task, apparently, for not following exclusively that which he by no means ignored, - the prevailing and popular method of Historic Criticism. Had the critic read the book more carefully, he would have had no difficulty in detecting in the course criticized the result of a deliberate purpose. That historic criticism, in the last few decades, has been of vast benefit to truth and to thought of every kind, no one can deny. But it has its limits; and there is no region in which, if applied exclusively, it is fitted to do more harm than in that of æsthetics. Holding that all the products of the arts and all the changes in their general conditions and effects are subject to the laws of development, two of its most prominent propositions are: first, that art is the expression of the spirit of the age in which it appears; and, second, that all art, for this reason, is of interest to the artist. Neither proposition is true. If there be anything which, very often, the higher arts are distinctly not, it is the expression of the spirit of their age. Greek architecture of the fourth century before Christ, and Gothic of the thirteenth after him, may have been this; although even they were developments of what had been originated long before.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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