Excerpt from Introduction to the Study of Art
2. Some minds relish external beauty: they create material representations; hence the arts of painting, sculpture, and architecture. Others, again, by the combination of sounds, attempt to express those finer sentiments of the heart, that lan guage fails to define; hence the musical art. Still another class prefer to clothe their imaginations in rhythmical language; hence the art of poetry. These are termed Imitative Arts and Fine Arts. The fine arts so called, are all imitative arts, but the imitative arts are not all fine arts.' The fine arts are Poetry, Music, Painting, Sculpture, Architecture, and Dancing.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Introduction to the Study of Art
Much is said and written upon the importance of cultivating the art of Design. Our people spend freely, are even lavish of money in procuring works of art; and statistics show its importance as a source of revenue when applied to industrial purposes. Yet, as a branch of education, drawing is almost entirely neglected. This is partly from a false idea that success depends upon peculiar abilities with which few are gifted; and partly from ignorance of the kind of cultivation that is necessary to insure success. It is understood that musical skill is acquired only by laborious application and practice, under the best instruction, during several successive years; while at the same time, it is expected that artistic skill will be acquired in the course of a few weeks.
The imposition to which the ignorance of the subject exposes a community in the way of poor teaching, and "royal roads," is incalculable. There is no study in which scholars are so wronged as in this. Young artists suffer for the want of good teaching. No rules are given them, and they have no training which will enable them to rely upon their own abilities, and therefore often say, they "can do nothing out of Italy." Many of the most gifted have been entirely blighted by being sent there to "copy pictures."
"Sir Joshua Reynolds took pupils, and Northcote (who was one of them, and a favorite one too) is the best authority on this point. He informs us, that after the drudgery of the studio was over, cleaning palettes, dead coloring, etc., he was allowed to copy his master's pictures, but received no instruction as to the colors to be used, or the mode of mixing or applying them; on the contraiy. Sir Joshua kept his colors locked up, and never allowed Northcote, or any of his scholars, to see him at work."
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Librería: Forgotten Books, London, Reino Unido
Paperback. Condición: New. Print on Demand. This book, a foundational work on art, offers practical guidance for the study and creation of art in its various forms. Featuring a historical perspective, the author demonstrates how art's evolution has been influenced by societal and cultural shifts. The book delves into the fundamental principles and techniques of art, including imitation, perspective, and composition. It emphasizes the significance of nature as a source of inspiration while highlighting key insights from renowned artists throughout history. Through the exploration of the relationship between art and taste, the author illustrates how individual sensibilities and cultural contexts shape artistic preferences. Overall, this book provides a comprehensive understanding of the elements that contribute to artistic excellence and their impact on the broader fabric of human civilization. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781330002384_0
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330002384
Cantidad disponible: 15 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330002384
Cantidad disponible: 15 disponibles