This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.
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Dana E. Katz is Joshua C. Taylor Associate Professor of Art History and Humanities at Reed College, Oregon. Her research explores representations of religious difference in early modern Italy, with a particular focus on Jewish-Christian relations. Katz is the author of The Jew in the Art of the Italian Renaissance (2008), as well as articles in The Art Bulletin, Art History, and Jewish History.
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Paperback. Condición: new. Paperback. Dana E. Katz examines the Jewish ghetto of Venice as a paradox of urban space. In 1516, the Senate established the ghetto on the periphery of the city and legislated nocturnal curfews to reduce the Jews' visibility in Venice. Katz argues that it was precisely this practice of marginalization that put the ghetto on display for Christian and Jewish eyes. According to her research, early modern Venetians grounded their conceptions of the ghetto in discourses of sight. Katz's unique approach demonstrates how Venice's Jewish ghetto engaged the sensory imagination of its inhabitants in complex and contradictory ways that both shaped urban space and reshaped Christian-Jewish relations. Informed by contemporary and current theories of space and histories of the senses, this book explores the urban form of the Jewish ghetto in Venice from the sixteenth to the eighteenth century. It will be essential reading for academic scholars, and graduate and undergraduate students in the arts, humanities, and social sciences. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781316616901
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Paperback. Condición: new. Paperback. Dana E. Katz examines the Jewish ghetto of Venice as a paradox of urban space. In 1516, the Senate established the ghetto on the periphery of the city and legislated nocturnal curfews to reduce the Jews' visibility in Venice. Katz argues that it was precisely this practice of marginalization that put the ghetto on display for Christian and Jewish eyes. According to her research, early modern Venetians grounded their conceptions of the ghetto in discourses of sight. Katz's unique approach demonstrates how Venice's Jewish ghetto engaged the sensory imagination of its inhabitants in complex and contradictory ways that both shaped urban space and reshaped Christian-Jewish relations. Informed by contemporary and current theories of space and histories of the senses, this book explores the urban form of the Jewish ghetto in Venice from the sixteenth to the eighteenth century. It will be essential reading for academic scholars, and graduate and undergraduate students in the arts, humanities, and social sciences. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9781316616901
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