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The Psalms of David, imitated in the language of the New Testament, ... By I. Watts, D.D. The twenty-fourth edition. - Tapa blanda

 
9781170794975: The Psalms of David, imitated in the language of the New Testament, ... By I. Watts, D.D. The twenty-fourth edition.

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Sinopsis

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>Bodleian Library (Oxford)

<ESTCID>T195403

<Notes>With an initial imprimatur leaf. Vertical chain lines.

<imprintFull>London : printed for J. Buckland, and T. Longman; J. Waugh; E. Dilly; and T. Field, 1763. <collation>[2],vi,318,[20]p. : engr. music ; 12°

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Reseña del editor

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Bodleian Library (Oxford)

T195403

With an initial imprimatur leaf. Vertical chain lines.

London : printed for J. Buckland, and T. Longman; J. Waugh; E. Dilly; and T. Field, 1763. [2],vi,318,[20]p. : engr. music ; 12°

"Sobre este título" puede pertenecer a otra edición de este libro.

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