Arthur Atkins: Extracts From The Letters With Notes On Painting And Landscape (1908) - Tapa blanda

Atkins, Arthur

9781165890569: Arthur Atkins: Extracts From The Letters With Notes On Painting And Landscape (1908)

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ISBN 10: 1165890569 ISBN 13: 9781165890569

Editorial: Kessinger Publishing, 2010

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Arthur Atkins: Extracts From The Letters With Notes On Painting And Landscape (1908) is a collection of letters written by Arthur Atkins, a British painter, to his friend and fellow artist, George Clausen. The letters offer insights into Atkins' artistic philosophy and techniques, as well as his observations on the landscape and natural world. The book also includes notes on painting and landscape written by Atkins, providing further insight into his approach to art. Published in 1908, the book offers a glimpse into the artistic world of the early 20th century, and is a valuable resource for anyone interested in the history of art or landscape painting.Written During The Period Of His Work As A Painter In The Last Two Years Of His Life, 1896-98.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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Rese�a del editor

Written During The Period Of His Work As A Painter In The Last Two Years Of His Life, 1896-98.

Rese�a del editor

For the friends of Arthur A tkins, these extracts from his letters, from the notes written upon the margins of his sketches, will have a real and touching value. They will recall for them, his talk, his interests, the lovely charm of the serious and noble friend they knew. For those to whom he was unknown, the pages may reveal something of the sensitive mind and heart of the artist: his response to the beauty and dignity of the visible world. The publication rests upon the desire of his associates, to supplement the pictures with whatever remains as a record of his gifts: obscured as these gifts were, by the circumstances of life, by the last sad circumstance of death in early manhood. It is with the belief that his place in art, his influence upon painting in California, will, in the future, be perceived as distinctive and important, that these written words are preserved; in deep affection for him, and in trust for that future.
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