A Guide To Modern Opera: Description And Interpretation Of The Words And Music (1909) - Tapa blanda

Singleton, Esther

 
9781164529088: A Guide To Modern Opera: Description And Interpretation Of The Words And Music (1909)

Sinopsis

A Guide to Modern Opera by Esther Singleton, published in 1909, is a comprehensive guide to understanding and interpreting the words and music of modern opera. The book provides an in-depth analysis of various operas, including their historical and cultural context, the composer's intentions, and the meaning behind the lyrics and music. Singleton's guide covers a wide range of composers and works, from Mozart to Wagner and Verdi, and includes detailed descriptions of their operas, such as The Magic Flute, Tristan and Isolde, and Aida. The book also includes musical examples and illustrations to help readers understand the nuances of the operas. Overall, A Guide to Modern Opera is an essential resource for anyone interested in opera, whether as a performer, scholar, or enthusiast.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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Reseña del editor

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Reseña del editor

Jtrtfar; I YG uide to theO pera was devoted I to the works of Wagner and his !predecessors. The welcome it received from opera-lovers encourages the hope that a second series dealing with the works of i the new school of composers may I also find favour. I have selected the most popular of the newest operas that are performed on the contemporary stage, at the same time including some older works of the new school that are not in my former book, such as Mefistofele, Parsifal, The Queen of Sheba, etc. The only opera which is distinctly of the old-fashioned type is Smetana sB artered Bride, which, represented in this country for the first time in 1909, achieved immediate popularity. I have followed the same plan of treatment as that ofT kj Guide to theO pera, describing the plot and music as the drama unfolds before the spectator, and calling attention to the most striking musical numbers and the orchestral annotations. In the analysis of Parsifal, I have followed M. Lavignac snomenclature of the leading-motives. E.S. New York, September,
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

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