Drawing And Engraving: A Brief Exposition Of Technical Principles And Practice is a comprehensive guide written by Philip Gilbert Hamerton that delves into the technical aspects of drawing and engraving. The book provides an in-depth analysis of the principles and techniques involved in these art forms, making it an essential resource for artists, students, and enthusiasts alike.The author begins by discussing the basics of drawing, including the different types of pencils, papers, and techniques used in the process. He then moves on to explore the more advanced aspects of drawing, such as shading, perspective, and composition.Hamerton also covers the art of engraving, including the various tools and materials required for the process. He provides detailed explanations of the different types of engraving, such as etching, drypoint, and aquatint, as well as the techniques used to create each style.Throughout the book, Hamerton provides numerous examples and illustrations to help readers understand the technical principles and practices he discusses. He also includes practical tips and advice to help artists improve their skills and create more effective drawings and engravings.Overall, Drawing And Engraving: A Brief Exposition Of Technical Principles And Practice is an invaluable resource for anyone interested in these art forms. It offers a comprehensive overview of the technical aspects of drawing and engraving, making it an essential reference for artists of all levels.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
The publishers of the Encyclopedia Britannica having thought that the articles in the ninth edition on Drawing and Engraving might be acceptable in a separate volume, I have revised them and made certain additions, whilst preserving the style and treatment originally adopted. There was very little choice about the method of treatment, as the subjects were vast and the space rigorously limited. I could only say what was most important and say even that laconically. The style of the papers had to be simply didactic. As a rule, I am unwilling to assume an authoritative tone, but may have as much right to it as anybody else, after giving the best part of forty years to the study of these or cognate subjects.
(Typographical errors above are due to OCR software and don't occur in the book.)
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