This book explores the ongoing enchantment of much-loved stop-frame children's television programming of the 1960s and 1970s. Hand-Made Television analyses programmes in the social and historical contexts of their production, examining the power of their hand-made aesthetics and relationship to the world of children's play.
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Rachel Moseley is Associate Professor in Film and Television Studies, and Director of the Centre for Television History, Heritage and Memory Research at the University of Warwick. She has published widely on popular television and film.
Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes.
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Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes. 132 pp. Englisch. Nº de ref. del artículo: 9781137551627
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Condición: New. This book explores the ongoing enchantment of much-loved stop-frame children's television programming of the 1960s and 1970s. Hand-Made Television analyses programmes in the social and historical contexts of their production, examining the power of their hand-made aesthetics and relationship to the world of children's play. Num Pages: 132 pages, biography. BIC Classification: 1DBK; 3JJPK; 3JJPL; APFV; APT. Category: (P) Professional & Vocational. Dimension: 148 x 224 x 18. Weight in Grams: 324. . 2016. 1st ed. 2015. Hardcover. . . . . Nº de ref. del artículo: V9781137551627
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Condición: New. pp. 132. Nº de ref. del artículo: 26374784336
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. This book explores the ongoing enchantment of much-loved stop-frame children's television programming of the 1960s and 1970s. Hand-Made Television analyses programmes in the social and historical contexts of their production, examining the power of their hand-made aesthetics and relationship to the world of children's play. Num Pages: 132 pages, biography. BIC Classification: 1DBK; 3JJPK; 3JJPL; APFV; APT. Category: (P) Professional & Vocational. Dimension: 148 x 224 x 18. Weight in Grams: 324. . 2016. 1st ed. 2015. Hardcover. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9781137551627
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Librería: moluna, Greven, Alemania
Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Rachel Moseley is Associate Professor in Film and Television Studies, and Director of the Centre for Television History, Heritage and Memory Research at the University of Warwick. She has published widely on popular television and film. Nº de ref. del artículo: 458455493
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Condición: New. Print on Demand pp. 132. Nº de ref. del artículo: 371293839
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Librería: Biblios, Frankfurt am main, HESSE, Alemania
Condición: New. PRINT ON DEMAND pp. 132. Nº de ref. del artículo: 18374784346
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