This book describes the conceptual and linguistic underpinnings of narrative interpretation.
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Barbara Dancygier is an Associate Professor in the Department of English at the University of British Columbia, Canada. Her publications include Conditionals and Prediction (Cambridge, 1999) and Mental Spaces in Grammar (with Eve Sweetser, Cambridge, 2005).
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Librería: Magus Books Seattle, Seattle, WA, Estados Unidos de America
Hardcover. Condición: VG. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Nº de ref. del artículo: 1321928
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Librería: Zoom Books Company, Lynden, WA, Estados Unidos de America
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Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
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Librería: California Books, Miami, FL, Estados Unidos de America
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In English. Nº de ref. del artículo: ria9781107005822_new
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Condición: new. How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov. How do we read stories? How do they engage our minds and create meaning? Drawing on blending theory and construction grammar, this book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781107005822
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 255 pages. 8.98x5.98x0.63 inches. In Stock. This item is printed on demand. Nº de ref. del artículo: __1107005825
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Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. pp. 242. Nº de ref. del artículo: 263123312
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Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. Print on Demand pp. 242 20 Illus. Nº de ref. del artículo: 5773231
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Nº de ref. del artículo: C9781107005822
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