Artículos relacionados a Issue #∞: Forever

Issue #∞: Forever - Tapa blanda

Walter Forsberg

 
9780985741969: Issue #∞: Forever
Tapa blanda
ISBN 10: 0985741961 ISBN 13: 9780985741969
Editorial: INCITE Journal of Experimental Media, 2016

Sinopsis

"Forever" is the theme of INCITE Journal of Experimental Media's sixth issue. In contemporary economies of immediacy and connectivity, what is temporality’s role and relevance other than as a force to be exploded? Why are LPs and film reels and tapes and optical discs and iPod menu buttons all circular? What does it mean to wait 8 hours in line to see Marclay’s “The Clock”? Why does Hollis Frampton scholar Clint Enns claim: “Duration is Dead”? Who wore post-apocalyptic 1980s cinema better: Darryl Hannah, or Neil Young + DEVO? Is La Monte Young a spinning disk or a flash memory kind of guy? Why did film loop installations become art-world de rigeur as Kodak went into bankruptcy protection? What the fuck is “time-based media”? Are screensavers art? What does it mean to be "permanently preserved"? Is that even possible? Why don’t they make them like they used to? Does *it* really matter? CONTRIBUTORS: @timebasedmedia, Peggy Ahwesh, Anonymous, Craig Baldwin, Nadia Baram Larralde, Michael Betancourt, Mark Byrnes, Terry Cannon, Rutherford Chang, Steve Cossman, Kevin Croker, Jon Dieringer, Clint Enns, Bradley Eros, Walter Forsberg, Brian L. Frye, Jason Fulford, Marsha Gordon, Sabine Gruffat, Cheryl Hann, Brett Kashmere, John Klacsmann, Andrew Lampert, Charles Levine, Ross Lipman, Amy Lockhart, John Madey, Zak Marmalefsky, Jesse McLean, T.K. Peters, Greg Pierce, Suzanne Porath, Sabrina Ratté, Samplerman, Soda_Jerk, Leslie Supnet

"Sinopsis" puede pertenecer a otra edición de este libro.

Reseña del editor

"Forever" is the theme of INCITE Journal of Experimental Media's sixth issue. In contemporary economies of immediacy and connectivity, what is temporality's role and relevance other than as a force to be exploded? Why are LPs and film reels and tapes and optical discs and iPod menu buttons all circular? What does it mean to wait 8 hours in line to see Marclay's "The Clock"? Why does Hollis Frampton scholar Clint Enns claim: "Duration is Dead"? Who wore post-apocalyptic 1980s cinema better: Darryl Hannah, or Neil Young + DEVO? Is La Monte Young a spinning disk or a flash memory kind of guy? Why did film loop installations become art-world de rigeur as Kodak went into bankruptcy protection? What the fuck is "time-based media"? Are screensavers art? What does it mean to be "permanently preserved"? Is that even possible? Why don't they make them like they used to? Does *it* really matter? CONTRIBUTORS: @timebasedmedia, Peggy Ahwesh, Anonymous, Craig Baldwin, Nadia Baram Larralde, Michael Betancourt, Mark Byrnes, Terry Cannon, Rutherford Chang, Steve Cossman, Kevin Croker, Jon Dieringer, Clint Enns, Bradley Eros, Walter Forsberg, Brian L. Frye, Jason Fulford, Marsha Gordon, Sabine Gruffat, Cheryl Hann, Brett Kashmere, John Klacsmann, Andrew Lampert, Charles Levine, Ross Lipman, Amy Lockhart, John Madey, Zak Marmalefsky, Jesse McLean, T.K. Peters, Greg Pierce, Suzanne Porath, Sabrina Ratté, Samplerman, Soda_Jerk, Leslie Supnet

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
INCITE Journal of Experimental Media
Año de publicación
2016
Idioma
Inglés
ISBN 10 
0985741961
ISBN 13 
9780985741969
Encuadernación
Tapa blanda
Número de páginas
232
Contacto del fabricante
no disponible
Persona responsable
GPSR Kontakt
gpsr@libri.de

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