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Sinopsis

Writer and artist Trinie Dalton has said of her work, "The idea of contextualizing art by hanging it on the same wall is a fundamental one. My zines are literary/art/music history anthologies that follow a cross-genre salon style. They're parties on paper, and I want to be an exquisite host." Dalton's curatorial parties on paper bring together artists, musicians, critics, novelists, cartoonists, and other less-classifiable cultural producers. Mythtym compiles the greatest hits from previous zines, including Touch of Class about oh-so-sexy unicorns, and Werewolf Express about that savage canine mutant. It also premiers Mirror/Horror, a 100-page piece on the subject of mirrors: as symbols in horror stories, psychological metaphors, as material for psychedelic art and the disco ball.

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Reseña del editor

Writer and artist Trinie Dalton has said of her work, "The idea of contextualizing art by hanging it on the same wall is a fundamental one. My zines are literary/art/music history anthologies that follow a cross-genre salon style. They're parties on paper, and I want to be an exquisite host." Dalton's curatorial parties on paper bring together artists, musicians, critics, novelists, cartoonists, and other less-classifiable cultural producers. Mythtym compiles the greatest hits from previous zines, including Touch of Class about oh-so-sexy unicorns, and Werewolf Express about that savage canine mutant. It also premiers Mirror/Horror, a 100-page piece on the subject of mirrors: as symbols in horror stories, psychological metaphors, as material for psychedelic art and the disco ball.

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