More than 30 years after his groundbreaking exhibition at London's Institute of Contemporary Arts, Conrad Atkinson is rightly regarded as one of Britain's most important living political artists. Landescapes, the first of a complete series on Atkinson's oeuvre, reviews work relating specifically to the land, and is published in response to the inclusion of Atkinson's early masterwork, "For Wordsworth, For West Cumbria," in the Tate Gallery's recent exhibition, A Picture of Britain, where the work was given central placement. The book includes an essay by Richard Cork, chief art critic of the London Times, an interview with Antony Hudek of the Courtauld Institute, and original writings by the artist. Represented in New York by the Ronald Feldman Gallery, Atkinson is also a Professor of Art at the University of California at Davis.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Paperback. Condición: new. Paperback. From Britain's most influential political artist, comes this review of his landscape work. More than 30 years after his leap to the forefront of the art world with the watershed exhibition "Strike at Brannans" at London's Institute of Contemporary Arts, Conrad Atkinson is rightly regarded as one of Britain's most important living artists and one of the most influential political artists working anywhere today. His forging together of conceptualism and activism makes his work a vital contribution to contemporary art history and practice. While widely exhibited and collected (and represented, for example, in the collections of the Tate Gallery, the Victoria and Albert Museum, The British Museum, the Australian National Gallery, the Pushkin Museum and the Museum of Modern Art) Atkinson's work, unlike that of his peers and disciples, has not until now been represented in print to the extent it deserves.In the first of what is planned to be a complete series of publications on the various aspects of Conrad Atkinson's career, "Conrad Atkinson Landscapes" is a review of his work relating specifically to landscape, and is published in response to the inclusion of his early massive masterwork, "For Wordsworth, For West Cumbria", as one of the centerpieces of "A Picture of Britain", a recent major exhibition on British landscape at the Tate Gallery. The book includes an essay by Richard Cork, chief art critic of the "London Times", an interview with Antony Hudek of the Courtauld Institute, and original writings by Conrad Atkinson. It is a testament to a modern-day master of technique and commentary, in whose concept of landscape is revealed a radical strain informed by acute sensibility to human suffering as a result of political and commercial manipulation. Conrad Atkinson is regarded as one of Britain's most important political artists. Presenting a review of his work relating specifically to landscape, this book includes an essay by Richard Cork, chief art critic of the "London Times", an interview with Antony Hudek of the Courtauld Institute, and writings by Conrad Atkinson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780977297108
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