Red Indian Road West: Native American Poetry from California - Tapa blanda

Sinopsis

Poetry. California Interest. Native American Studies. Containing the work of 31 poets from 29 tribes, Red Indian Road West is the first poetry anthology encompassing the entire range of Native American experience in California. With more than 720,000 Native Americans, California has by far the largest Native American population of any state and perhaps the most diverse. There are currently more than one hundred American Indian tribes indigenous to California, as well as many Native Americans from tribes nationwide now residing in the state.

Contributors: Indira Allegra, Judi Brannan Armbruster, J.P. Dancing Bear, Nanette Bradley Deetz, E.K. Cooper, Roberta Reyes Cordero, Lucille Lang Day, Natalie Diaz, Carolyn Dunn, Jennifer Elise Foerster, Jewelle Gomez, Janice Gould, Alison Hart, John Hershman, Senna Heyatawin, Dave Holt, Frank LaPena, Sharmagne Leland-St. John, James Luna, Sal Martinez, Shaunna Oteka McCovey, Stephen Meadows, Deborah A. Miranda, Manny Moreno, Catherine Nelson-Rodriguez, Linda Noel, Wendy Rose, Sylvia Ross, Kurt Schweigman, Marlon Sherman, Kim Shuck, Georgiana Valoyce-Sanchez

"RED INDIAN ROAD WEST is an assertion and a statement saying, 'We have always been here. You will never forget us. You cannot do so.' Indigenous people and their insistent passion. Traveling from inland hills to seashores. Their experiences in hot desert and hard mountain. Vital moments to viral moments like no other, but always within the present one. Karuk. Wintu. Konkow. Pomo. Miwok. Mohave. Chumash. Costanoan Esselen. Ohlone. And more. And more than we can name but which will always be remembered. And later on, the Lakota, Dakota, Cherokee, Wampanoag, and others, so our indigenous essence will always be momentous. Read, listen, hear, and be assured. Know again and always!"—Simon J. Ortiz

"An anthology is a community, each voice telling its story in this tribal gathering. RED INDIAN ROAD WEST is a pow wow of sorts. It takes many voices to tell the story of the Native spirit and experience. The voices often are uprooted, yet find place within language. There is camaraderie, wounding, anger, defiance, celebration and disclosure in these wolf songs of the heart."—Diane Glancy

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