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Max Beckmann: Tradition as a Problem in Modern Art
Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
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hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_334297451
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Max Beckmann: Tradition as a Problem in Modern Art
Librería: Chaparral Books, Portland, OR, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Edition not stated. The binding is tight, corners sharp. Bottom corner of page 91 creased. Text and images unmarked. The dust jacket shows some light handling & toning, in a mylar cover. Nº de ref. del artículo: PARSbelMAX
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Max Beckmann: Tradition as a Problem in Modern Art
Librería: Fallen Leaf Books, Nashville, IN, Estados Unidos de America
Calificación del vendedor: 2 de 5 estrellas
Hardcover. Condición: Very Good. Nº de ref. del artículo: 64054
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Max Beckmann: Tradition as a Problem in Modern Art
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New York: Timken, 1989., 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
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Librería: Materia Prima Books, New haven, CT, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First Edition. 8vo. 135 pp. Brown cloth. Light edge-wear to jacket. Fine in Near Fine dust jacket. Nº de ref. del artículo: 1275
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Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken Publishers January 1990, 1990
ISBN 10: 0943221064
ISBN 13: 9780943221069
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Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Hardcover. Condición: Used - Very Good. Very nice clean, tight copy free of any marks. Nº de ref. del artículo: 285885
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Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken Publishers, New York, 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
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Librería: Works on Paper, DeKalb, IL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. A very good copy of the hard cover edition in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.]. Nº de ref. del artículo: 022244
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Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken, New York, 1989, 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
Antiguo o usado
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Original o primera edición
Librería: Jackson Street Booksellers, Omaha, NE, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine in a Fine jacket. 1st Edition. 135pp Tall 8vo. Nº de ref. del artículo: 128419
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Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken Publishers, New York, 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
Antiguo o usado
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Hardcover. Brown cloth with gilt lettering on spine, tan dust jacket with brown lettering and color illustration, 135 pp, richly illustrated in mostly bw illustrations. "This book on Max Beckmann, unlike previous studies, does not focus on his biography or analyze his often difficult subject matter. Instead, Belting considers Beckmann and his achievement with the context of art history, as indeed the artist saw himself reflected throughout his productive life. And rather than focus on Beckmann as an outsider, he shows that Beckmann's idealistic aesthetics, his notions about creativity and myth, and his belief in the transcendent self were all part of the cultural climate in Germany." - Dust jacket. VG/VG (light foxing along upper block edges). Nº de ref. del artículo: 175504
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Imagen de archivo
Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken, 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
Antiguo o usado
Tapa dura
Original o primera edición
Librería: Friends of Poughkeepsie Library, Poughkeepsie, NY, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. 1st Edition. Good+ Light fade to bottom board edges. Mild warping to both boards. Edge wear, soft creasing to spine tips/joints. Corners bumped, bowed. Two tiny black dots to front pastedown. Erasure to top corner of FFEP. Internally clean and unmarked. DJ, VG, a little color variation, fade to spine, edgewear, small tear to top edge of front panel, corner wear, yellowing to underside. Shelf 7c. Nº de ref. del artículo: 3383
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Max Beckmann: Tradition as a Problem in Modern Art
Publicado por
Timken Publishers, New York, 1989
ISBN 10: 0943221064
ISBN 13: 9780943221069
Antiguo o usado
Tapa dura
Original o primera edición
Librería: Joseph Burridge Books, Dagenham, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 135 pages : illustrations (some colour) ; 26 cm. Max Beckmann (1884-1950) must be counted as one of the giants of twentieth-century art. Among the modern masters, however, he is the one who requires the most interpretation and study. For this reason his work remains less well known and less well understood than it should be. He stands outside the canonical history of modernism be- cause of his insistence on the value of traditional forms in art. And although he is often described as the most German of German painters, his critical reception remains controversial and complicated. This book on Max Beckmann, unlike previous studies, does not focus on his biography or ana- lyze his often difficult subject matter. Instead, Belting considers Beckmann and his achievement within the context of art history, as indeed the artist saw himself reflected throughout his productive life. And rather than focus on Beckmann as an outsider, he shows that Beckmann's idealistic aesthetics, his notions about creativity and myth, and his belief in the transcendent self were all part of the cultural climate in Germany. Today art criticism no longer invites the blind affirmation of all that is modern in art. Beckmann sought his place both in the ranks of modern art and in the rich tradition of art history to which he was heir. By not rejecting traditional forms, Beckmann's art has a particular relevance to the art of today. Viewing Beckmann in the mirror of art his- tory, we not only gain further insight into this most challenging of painters but also are given a model that joins the traditions of art history with problems of modernity. Nº de ref. del artículo: 17cb706
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