What is it about etching that renders it - according to both the poet-critic Charles Baudelaire and the visionary artist Samuel Palmer - a medium of writing? And, moreover, what makes etching equally adaptable to the expression of both memory and modernity? "The 'Writing' of Modern Life" examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. Whether or not these printmakers viewed etching as a medium for expressing thoughts or personality, as Baudelaire and Palmer claimed, they did find in the craft a way to suggest both elegiac recollection and the visual strangeness of modern life.Containing essays by Martha Tedeschi, Peyton Skipwith, Anna Arnar, Allison Morehead, and Elizabeth Helsinger, and generously illustrated with works by both well-known and lessheralded printmakers, "The 'Writing' of Modern Life" is an interdisciplinary collection that will appeal to literary and art historians alike.
"Sinopsis" puede pertenecer a otra edición de este libro.
Elizabeth Helsinger is the John Matthews Manly Distinguished Service Professor in the Departments of English and Art History at the University of Chicago.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 5705054-n
Cantidad disponible: 1 disponibles
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: New. Brand New. Nº de ref. del artículo: 9780935573459
Cantidad disponible: Más de 20 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 5705054
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. illustrated edition. 104 pages. 10.75x7.75x0.25 inches. In Stock. Nº de ref. del artículo: __0935573453
Cantidad disponible: 1 disponibles
Librería: Chiron Media, Wallingford, Reino Unido
Paperback. Condición: New. Nº de ref. del artículo: 6666-GRD-9780935573459
Cantidad disponible: 1 disponibles
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In. Nº de ref. del artículo: ria9780935573459_new
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 5705054-n
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 5705054
Cantidad disponible: 1 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art historians alike. Num Pages: 104 pages, 75 halftones. BIC Classification: 1DBK; 1DDF; 1KBB; AFH. Category: (G) General (US: Trade). Dimension: 279 x 203 x 10. Weight in Grams: 510. . 2009. Illustrated. paperback. . . . . Nº de ref. del artículo: V9780935573459
Cantidad disponible: 1 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. Examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. This title is suitable for literary and art historians alike. Num Pages: 104 pages, 75 halftones. BIC Classification: 1DBK; 1DDF; 1KBB; AFH. Category: (G) General (US: Trade). Dimension: 279 x 203 x 10. Weight in Grams: 510. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780935573459
Cantidad disponible: 1 disponibles