Sinopsis
Catálogo de la exposición celebrada en el Museum of Contemporary Art (Los Angeles) en Marzo - Agosto de 2004. 452 pp. Numerosas reproducciones en color y b/n. Idioma: Inglés. LIB 7C
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A MINIMAL FUTURE? ART AS OBJECT 1958 - 1968 Arts Magazine March 1967. $1.25
Publicado por
The Museum of Contemporary Art / The MIT Press, Los Angeles / Cambridge, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
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Librería: Frey Fine Books, Rougemont, NC, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Wraps. Condición: Near Fine. 1st edition. 1st edition, 2004. A Near Fine copy. 4to., 452 pp., bound in stiff white illustrated wraps. Very minor signs of shelf wear, text is clean and unmarked. This publication accompanies the exhibition "A Minimal Future? Art as Object 1958-1968" organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles from March 14 to August 2nd, 2004. Nº de ref. del artículo: 31846
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A Minimal Future? Art As Object 1958-1968 (Arts Magazine, March 1967)
Publicado por
Museum of Contemporary Art, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
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Paperback
Librería: Book Alley, Pasadena, CA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Paperback. Condición: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text. Nº de ref. del artículo: mon0000740827
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Imagen de archivo
Minimal Future?: Art as Object 1958-1968
Publicado por
Museum of Contemporary Art January 2004, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
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Trade Paperback
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Trade Paperback. Condición: Used - Very Good. Used copy with light wear. Spine is sun faded. Great reading copy. Nº de ref. del artículo: 324465
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A Minimal Future?: Art as Object 1958-1968
Publicado por
The Museum of Contemporary Art, Los Angeles, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
Antiguo o usado
Softcover
Original o primera edición
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Softcover. Condición: Very Good. First Edition. First edition, trade paperback published to accompany the exhibition of the same title, has a light lean to the binding, bumps to the spine ends and cover corners, and rubbing with some small smudges to the exterior. Overall, a solid, tight, Very Good copy. Nº de ref. del artículo: 204158
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Imagen de archivo
A Minimal Future Art As Object 1958-1968 (Arts Magazine, March 1967)
Publicado por
Museum of Contemporary Art, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
Antiguo o usado
Soft cover
Original o primera edición
Librería: Nicholas J. Certo, Newburgh, NY, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Soft cover. Condición: Near Fine. 1st Edition. NEAR FINE in French-fold wraps. Nº de ref. del artículo: obs 18-4 art history 8x11 orange/white
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Imagen de archivo
A Minimal Future? Art as Object 1958-1968
Publicado por
The Museum of Contemporary Art, Los Angeles; The MIT Press, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
Antiguo o usado
Tapa dura
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. This publication accompanies the exhibition "A Minimal Future? Art as Object 1958-1968" organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles from March 14 to August 2nd, 2004. Jacket is lightly rubbed and jacket spine is very lightly tanned, but text is legible. Binding is tight and inside is clean and unmarked. Nº de ref. del artículo: 2048378
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Imagen de archivo
A Minimal Future? Art As Object 1958-1968
Publicado por
Museum of Contemporary Art, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
Antiguo o usado
Soft cover
Original o primera edición
Librería: Twice Sold Tales, Capitol Hill, Seattle, WA, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Soft cover. Condición: Very Good. 1st Edition. Minor wear to cover. Corners bumped. Pages crisp and clean. **Due to size or weight of book additional charges for international and priority shipping may apply.**. Nº de ref. del artículo: 040709
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EUR 44,61
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Imagen de archivo
A Minimal Future?: Art as Object, 1958-1968
Publicado por
Los Angeles: Museum of Contemporary Art/ MIT Press, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
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Tapa blanda
Librería: Lorrin Wong, Bookseller, Los Angeles, CA, Estados Unidos de America
Calificación del vendedor: 1 de 5 estrellas
Essays by Diedricn Diederichsen, Jonanthan Flatley, Carrie Lambert, Lucy R. Lippard, James Meyer, and Anne Rorimer; 452 pages, illustrated. Fine paperback exhibition catalog (soft cover)/ no dust jacket. Nº de ref. del artículo: 2019246
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EUR 44,61
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Imagen de archivo
A Minimal Future? Art As Object 1958-1968
Publicado por
The Museum of Contemporary Art, Los Angeles, Calif, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
Antiguo o usado
Softcover
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Softcover. White, orange illustrated wraps. 452 pp w/ primarily color illustrations. "As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image, and production of the art object and renegotiated its relationship to space and to the spectator.Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s.The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers perfomance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography, and an exhibition chronology. The 400-page book includes 300 images, most in color."--Amazon. VG- (ex-museum w/ taped ID to lower spine; peeling barcode to back wrap edge; interior stamps & notations. wraps scuffed & scratched; rubbed edge-wear. rubbing to corners. light abrasion to lower textblock w/ fine rubs to associated pg edges. fairly tightly bound; appears to selectively read/referenced). Nº de ref. del artículo: 35428
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Imagen de archivo
A Minimal Future?: Art as Object 1958-1968
Publicado por
Los Angeles: Museum of Contemporarary Art, 2004
ISBN 10: 0914357875
ISBN 13: 9780914357872
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Tapa blanda
Librería: ANARTIST, New York, NY, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Softcover exhibition catalog, 452 pages, very good condition except crease to spine; light rubbing to covers; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: A_GoLo85
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