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Sinopsis
“My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect.” ―Will Barnet, 1962
Will Barnet (1911–), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction.
As McGrady traces work during this decisive period in Barnet’s career, he shows how drawing became increasingly important in the evolution of such major paintings as Mother and Child, The Blue Robe, and Eden. In addition, McGrady provides a richly documented discussion of critics’ responses to the profound changes in Barnet’s art and Barnet’s own commentary on his goals as an abstract artist.
Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works.
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Acerca del autor
Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Will Barnet: Painting Without Illusion. The Genesis of Four Works from the 1960s
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the Palmer Museum of Art, 2004
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Will Barnet: Painting Without Illusion. The Genesis of Four Works from the 1960s
Publicado por
the Palmer Museum of Art, 2004
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Will Barnet: Painting Without Illusion. The Genesis of Four Works from the 1960s
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the Palmer Museum of Art, 2004
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ISBN 13: 9780911209594
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WILL BARNET Format: PB - PAPERBACK
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Will Barnet (Paperback)
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Pennsylvania State University Press, University Park, 2004
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Paperback. Condición: new. Paperback. 'My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect' - Will Barnet, 1962. Will Barnet (1911), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet's career, he shows how drawing became increasingly important in the evolution of such major paintings as "Mother and Child", "The Blue Robe", and "Eden". In addition, McGrady provides a richly documented discussion of critics' responses to the profound changes in Barnet's art and Barnet's own commentary on his goals as an abstract artist.Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University. Will Barnet has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. This book examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780911209594
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Will Barnet: Painting Without Illusion. The Genesis of Four Works from the 1960s
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The Palmer Museum of Art, 2004
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Will Barnet: Painting Without Illusion, The Genesis of Four Works from the 1960s
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Palmer Museum of Art, University Park, PA, 2003
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Softcover. Condición: VG. Color-illustrated wraps with white lettering. 31 pp. Color and BW illustrations. Exhibitin catalogue. With a title essay by Patrick McGrady, Curator. Includes an exhibition checklist. Nº de ref. del artículo: 31405
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Will Barnet : Painting Without Illusion the Genesis of Four Works from the 1960s
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Palmer Museum of Art, University Park, PA, 2003
ISBN 10: 091120959X
ISBN 13: 9780911209594
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Wrappers. Condición: Fine Condition. 32 pages. Paperback. Texts in English. 37 illustrations 33 in color. Foreword by Jan Keene Muhlert, Director. Published on the occasion of the exhibition from the Palmer Museum of Art, Pennsylvania State University, University Park, PA May 10-October 5, 2003. Exhibition Checklist. Book. Nº de ref. del artículo: 000285
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Will Barnet: Painting Without Illusion. The Genesis of Four Works from the 1960s
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the Palmer Museum of Art, 2004
ISBN 10: 091120959X
ISBN 13: 9780911209594
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