The difficulty for a modern star in Gypsy today is the competition with a ghost-Ethel Merman's, to be exact. It's no longer a case of making the role Mama Rose credible in all her volcano-force anomalies-of making her seem crazy yet funny, pitiful, and savage, sinner, and sinned against. She is downright interesting in her own right and in Arthur Laurent's writing, only a sub-par actress would fail to capitalize on that interest.
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Keith Garebian looks at the history of this popular musical from the days of Merman to the Lansbury revival. A must for every musical [theater] buff. [music][history]
Keith Garebian is an award winning author whose books have been bought by the Bertelsmann/Doubleday book clubs. He lives in Toronto and is the author of 11 books.
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