In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of photographs called Atomic Time and images of his latest work, the room-sized installation Critical Assembly. Inspired by the Manhattan Project, the first nuclear weapons program at the Los Alamos Scientific Laboratory, Critical Assembly is a representation of what was once a secret site of government-sponsored research. The installation includes actual examples of electronic instruments, hardware, furniture, tools and materials from the Los Alamos Laboratory of the 1940s, 50s and 60s, which Sanborn acquired from retirees living in New Mexico who worked on the Project. The photographs in the Atomic Series are distinguished by an intense cobalt blue-like color, similar to the true color of radioactivity. Half of the series is of abstract images made by exposing sheet film to actual pieces of uranium ore; the other represents an assortment of radium-dial alarm clocks made between 1920 and 1950, acquired from regions around the Trinity Site in New Mexico, where the first atomic bomb exploded.
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In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of photographs called Atomic Time and images of his latest work, the room-sized installation Critical Assembly. Inspired by the Manhattan Project, the first nuclear weapons program at the Los Alamos Scientific Laboratory, Critical Assembly is a representation of what was once a secret site of government-sponsored research. The installation includes actual examples of electronic instruments, hardware, furniture, tools and materials from the Los Alamos Laboratory of the 1940s, 50s and 60s, which Sanborn acquired from retirees living in New Mexico who worked on the Project. The photographs in the Atomic Series are distinguished by an intense cobalt blue-like color, similar to the true color of radioactivity. Half of the series is of abstract images made by exposing sheet film to actual pieces of uranium ore; the other represents an assortment of radium-dial alarm clocks made between 1920 and 1950, acquired from regions around the Trinity Site in New Mexico, where the first atomic bomb exploded.
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Librería: HPB-Ruby, Dallas, TX, Estados Unidos de America
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_475698682
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0886750725I4N00
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Nº de ref. del artículo: M0886750725Z3
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Librería: Alta-Glamour Inc., Seattle, WA, Estados Unidos de America
96 pp. Illustrated throughout with color photographs. Illustrated laminated boards. Light shelfwear. Very good. Nº de ref. del artículo: 100416
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Glossy black boards, 96 pp., color illus. Issued in conjunction with a 2003-2004 exhibition of science-related artwork created by contemporary American artist Jim Sanborn (b. 1945). With illustrated essays by Jonathan P. Binstock, Howard Morland, and Barbara London, and an artist interview conducted by Milena Kalinovska. Includes an exhibition history, selected bibliography, and many artwork examples. Thought-provoking visuals. VG (Average scuffs to covers, otherwise nice.). Nº de ref. del artículo: 153283
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. F. 104 pp. Hard Cover. Very Good+ - clean copy, excellent condition. Color Photographs & Plates. Features work by conceptual artist Jim Sanborn. Nº de ref. del artículo: 19-3315
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 96 pages. 12.00x10.50x0.75 inches. In Stock. Nº de ref. del artículo: 0886750725
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
hardcover. Condición: New. In shrink wrap. Looks like an interesting title! Nº de ref. del artículo: Q-0886750725
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Librería: The Book Spot, Sioux Falls, MN, Estados Unidos de America
Hardcover. Condición: New. Nº de ref. del artículo: Abebooks261335
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Librería: J. Mercurio Books, Maps, & Prints IOBA, Garrison, NY, Estados Unidos de America
Hardcover. Condición: Near Fine. 1st Edition. No DJ as issued. Nº de ref. del artículo: 016910
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