Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color.
Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense.
This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.
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Charles A. Riley II, Professor of English at Baruch College, CUNY.
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
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Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 351pp. Red cloth hardback with DJ, VG, index, bibliography, glossary of color terms, chapter notes, color plates, draws heavily on interviews with many of today's leading artists, as well as seminal texts by a wide range of thinkers, series of interconnected essays on the uses and meanings of color, Nº de ref. del artículo: w220231113
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Librería: Southampton Books, Sag Harbor, NY, Estados Unidos de America
Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by University Press of New England, 1995. Octavo. Authors signature and inscription on the front fly leaf page. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Nº de ref. del artículo: 416575
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Librería: Joseph Burridge Books, Dagenham, Reino Unido
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. xi, 351 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm. Contents: Introduction: The palette and the table Color in Philosophy : Kant ; Goethe ; Hegel ; Wittgenstein ; Jonathan Westphal ; P.M.S. Hacker ; C.L. Hardin ; Spengler ; Adorno ; Barthes ; Derrida Color in Painting and Architecture : Painting : Monet ; Denis ; Degas ; Whistler ; van Gogh ; Gaugin ; Cézanne ; Robert and Sonia Delaunay ; Morgan Russell and Stanton Macdonald-Wright ; Matisse ; Kandinsky ; Albers ; Hofmann ; Avery ; Rothko ; Louis ; O'Keeffe ; Newman ; Stella ; Lichtenstein ; Halley ; Ryman ; Mark Milloff ; Nancy Haynes ; Jaime Franco ; Charles Clough Architecture : Le Courbusier ; Graves ; Stirling Color in Literature : Gide ; Proust ; Joyce ; Trakl ; H.D. ; Stevens ; Hollander ; Pynchon ; A.S. Byatt Color in Music : Wagner ; Stockhausen ; Schoenberg ; Messiaen ; Slawson Color in Psychology : Kohler ; Arnheim ; Freud ; Jung ; Contemporary issues in color psychology ; Oliver Sachs. Nº de ref. del artículo: 8cb618
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Librería: arch. Francesca Di Francesco, Sant'Omero, TE, Italia
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