Theory meets practice as twenty-four distinguished scholars apply a variety of methodologies to many different literatures, including American, Danish, English, French, German, Italian, Japanese, Latin American, and Spanish. The texts range from Petrarch’s Song 126 and Cervantes’s La gitanilla to Zora Neale Hurston’s Their Eyes Were Watching God and Manuel Puig’s Kiss of the Spider Woman.
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Theory meets practice as twenty-four distinguished scholars apply a variety of methodologies to many different literatures, including American, Danish, English, French, German, Italian, Japanese, Latin American, and Spanish. The texts range from Petrarch's Song 126 and Cervantes's La gitanilla to Zora Neale Hurston's Their Eyes Were Watching God and Manuel Puig's Kiss of the Spider Woman.
Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature in the Graduate School of the City University of New York and Co-director of its Henri Peyre French Institute. She is the author, editor, or translator of more than forty books in the fields of poetry and the avant-garde.
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