Clark Coolidge’s book-length meditation on a crystal―long considered a masterpiece of American avant-garde poetry―returns in a new edition.
“No other poet ever has so exquisitely, and sometimes also turbulently, written sheer sonic wonder into poetry.”―Lyn Hejinian, author of My Life and My Life in the Nineties
In the summer of 1982, Clark Coolidge received an unexpected gift of a crystal; small, clear, entirely unexceptional, the crystal nonetheless provoked the poet into writing what has long been considered his masterpiece, The Crystal Text (1986). A durational poem composed over the course of 10 months, in daybook-like entries of varying length, The Crystal Text is multifaceted and elusive, constantly interrogating itself. Is it a meditation on its titular object like Keats’s “Urn” or a radical investigation of the limits of language as a signifying system? Is the poet channeling the crystal to access its message or is the crystal channeling the poet, drawing language from him to fill its colorless emptiness? Is it dictation or improvisation? Is the poem a record of its own crystalline growth or does it capture the process of consciousness itself?
The Crystal Text refuses to resolve the questions it raises but rather inhabits its various possibilities simultaneously, resulting in one of the major works of late 20th century American avant-garde poetry. This new edition includes a preface by poet and scholar Peter Gizzi and an afterword in which Coolidge discusses the text with poet Jason Morris and City Lights editor Garrett Caples.
Associated with the New York School and subsequently inspiring the Language Poets, Coolidge remains one of the most singular and original American poets of our time.
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Originally from Providence, Rhode Island, Clark Coolidge is the author of more than fifty books of poetry, including A Book Beginning What and Ending Away, Selected Poems: 1962-1985, The Land of All Time and To the Cold Heart. In 2011, he edited Philip Guston: Collected Writings, Lectures, and Conversations for University of California Press. Initially a drummer, he was a member of David Meltzer’s Serpent Power in 1967 and Mix group in 1993–1994. More recently, Coolidge has performed duos with Thurston Moore (Among the Poetry Stricken, on Fast Speaking Music) and free improv with Ouroboros. He now lives in Petaluma, California.
Peter Gizzi is the author of many books of poetry, including In Defense of Nothing: Selected Poems 1987–2011. He teaches at the University of Massachusetts, Amherst. He lives in Melrose, Massachusetts.
Jason Morris was born and raised in Vermont. He is the author of ten books and chapbooks, including Low Life (Bird & Beckett Books, 2021); Different Darknesses (FMSBW, 2019); Levon Helm (Ugly Duckling Presse, 2018), and Spirits & Anchors (Auguste Presse, 2010). He lives in San Francisco, California.
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Paperback. Condición: new. Paperback. Clark Coolidge's book-length meditation on a crystal-long considered a masterpiece of American avant-garde poetry-returns in a new edition."No other poet ever has so exquisitely, and sometimes also turbulently, written sheer sonic wonder into poetry."-Lyn Hejinian, author of My Life and My Life in the NinetiesIn the summer of 1982, Clark Coolidge received an unexpected gift of a crystal; small, clear, entirely unexceptional, the crystal nonetheless provoked the poet into writing what has long been considered his masterpiece, The Crystal Text (1986). A durational poem composed over the course of 10 months, in daybook-like entries of varying length, The Crystal Text is multifaceted and elusive, constantly interrogating itself. Is it a meditation on its titular object like Keats's "Urn" or a radical investigation of the limits of language as a signifying system? Is the poet channeling the crystal to access its message or is the crystal channeling the poet, drawing language from him to fill its colorless emptiness? Is it dictation or improvisation? Is the poem a record of its own crystalline growth or does it capture the process of consciousness itself?The Crystal Text refuses to resolve the questions it raises but rather inhabits its various possibilities simultaneously, resulting in one of the major works of late 20th century American avant-garde poetry. This new edition includes a preface by poet and scholar Peter Gizzi and an afterword in which Coolidge discusses the text with poet Jason Morris and City Lights editor Garrett Caples.Associated with the New York School and subsequently inspiring the Language Poets, Coolidge remains one of the most singular and original American poets of our time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780872869042
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