In the late 1940s, Jackson Pollock, now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. This process engaged his entire body, and the resulting images were a direct index of the energy he expended to create these works. One: Number 31 (1950), among the largest of the paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. In this volume of the MoMA One on One series, a lively essay by former museum curator and professor Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA’s collection.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
In the late 1940s, Jackson Pollock, now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. This process engaged his entire body, and the resulting images were a direct index of the energy he expended to create these works. One: Number 31 (1950), among the largest of the paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. In this volume of the MoMA One on One series, a lively essay by former museum curator and professor Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMAs collection.
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Condición: New. 2013. Paperback. In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting. Series: MOMA One on One Series. Num Pages: 48 pages, 35 colour illustrations. BIC Classification: ACXD9; AFC; AGB. Category: (G) General (US: Trade). Dimension: 179 x 214 x 6. Weight in Grams: 216. . . . . . Nº de ref. del artículo: V9780870708480
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Condición: New. 2013. Paperback. In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting. Series: MOMA One on One Series. Num Pages: 48 pages, 35 colour illustrations. BIC Classification: ACXD9; AFC; AGB. Category: (G) General (US: Trade). Dimension: 179 x 214 x 6. Weight in Grams: 216. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780870708480
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Condición: New. In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. One: Number 31 (1950) , was among the largest of the paintings he produced by this met. Nº de ref. del artículo: 610477356
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Paperback. Condición: new. Paperback. In the late 1940s, Jackson Pollock, now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. This process engaged his entire body, and the resulting images were a direct index of the energy he expended to create these works. One: Number 31 (1950), among the largest of the paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. In this volume of the MoMA One on One series, a lively essay by former museum curator and professor Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA's collection. In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780870708480
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Softcover. square, white wraps w/ illustration; aqua spine & lettering. french flaps. 47 pgs w/ 35 bw & color illustrations. An historical, critical analysis of Pollock's famous painting. Near Fine. light chip to upper spine end. tight binding. interior clean. Nº de ref. del artículo: 179841
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Paperback. Condición: new. Paperback. In the late 1940s, Jackson Pollock, now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. This process engaged his entire body, and the resulting images were a direct index of the energy he expended to create these works. One: Number 31 (1950), among the largest of the paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. In this volume of the MoMA One on One series, a lively essay by former museum curator and professor Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA's collection. In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780870708480
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