Although current theory has discredited the idea of a coherent, transcedent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by rhetoric in fashioning and representing Shakespearean character. She draws on classical and Renaissance texts, as well as on the work of such 20th century critics as Kenneth Burke and Paul de Man, bringing classical, Renaissance, and contemporary rhetoric shapes character within the plays and the way characters are ""read"". She also examines the relationship between technique and theme by considering the connections between rhetorical representation and dramatic illusion and by discussing the relevance of rhetorical criticism to issues of gender. Works analysed include ""Hamlet"", ""Cymbeline"", King John"", ""Othello"", ""The Winter's Tale"", King Lear"", ""Venus and Adonis"", ""Measure for Measure"" and ""All's Well That Ends Well"".
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Christy Desmet is associate professor of English at the University of Georgia.
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Librería: Grendel Books, ABAA/ILAB, Springfield, MA, Estados Unidos de America
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition. Near fine in a near fine (some light soiling on rear panel) dust jacket. Nº de ref. del artículo: 76537
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Librería: Callaghan Books South, New Port Richey, FL, Estados Unidos de America
Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st US. (Massachusetts Studies in Early Modern Culture) Larger, sturdy book, quality brown cloth covers, bright silver lettering with black on spine, blue color inside covers and adjacent end papers, 215 pages. DJ heavy paper with light green background, darker illustration of William Shakespeare with pattern of words on front. DJ and book, both As New. Nº de ref. del artículo: 066016
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