This work looks at how the medium of opera works, and, in particular, how it is understood to do so by those involved as singers, producers and conductors. It examines the different functions of the music in various operatic traditions in relation to the stage action and pacing of scenes.
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This work looks at how the medium of opera works, and, in particular, how it is understood to do so by those involved as singers, producers and conductors. It examines the different functions of the music in various operatic traditions in relation to the stage action and pacing of scenes.
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 12,78 gastos de envío desde Japon a España
Destinos, gastos y plazos de envíoLibrería: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., Japon
Hardcover. Condición: Very Good. x, 279p. . 1vol. Nº de ref. del artículo: 16984
Cantidad disponible: 1 disponibles
Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Very Good. First Edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Nº de ref. del artículo: GRP77166208
Cantidad disponible: 1 disponibles
Librería: Renaissance Books, ANZAAB / ILAB, Dunedin, Nueva Zelanda
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. First Edition. No signatures. Dust-jacket protected in archival cover.; x, 279, [7 (blank)] pages. Red boards with silver lettering on spine. Page dimensions: 246 x 185mm. Illustrated. "Starting with the premise that opera has its own conventions, differing from both pure music and spoken theatre, this book aims to explore how the music/drama amalgam actually works. By drawing on well known operas for its examples, it shows how a sensitive response to the music can inform stage action and dramatic pacing. [. . .] The operas discussed in this workshop include L'Orfeo, L'Incoronazione di Poppea, The Marriage of Figaro, Carmen, La Boheme, Wozzeck and Peter Grimes." - from dust-jacket blurb. Contents: Preface and Acknowledgements; Introduction; Part I : The Orchestra Supports the Singer : Recitative and Aria in Handel and Mozart; The Solo Voice in the Operas of Other Composers; The Duet/Ensemble; Part II : The Orchestra Enlarges the Stage : Dance and Atmospheric Background; The Symphonic Dimension in Wagner; Part III : Further Studies : Speech and Sprechgesang; More Music and Action; Bibliography; List of Illustrations. Nº de ref. del artículo: 26181
Cantidad disponible: 1 disponibles
Librería: Bestsellersuk, Hereford, Reino Unido
Hardcover. Condición: Very Good. Slight scratches to dust jacket. No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day. Nº de ref. del artículo: mon0000597138
Cantidad disponible: 6 disponibles