Sinopsis
Like literature and art, music has ‘works’. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
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Acerca del autor
Professor Michael Talbot is Senior Fellow in the School of Music at the University of Liverpool.
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The musical work : reality or invention? / edited by Michael Talbot
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Liverpool : Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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Librería: MW Books, New York, NY, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; Liverpool Music Symposium ; 1. Physical description; viii, 260 pages. Subjects; Music Philosophy and aesthetics Congresses. Musical work Concept history and critique. Popular music Intertextuality and recording practices. Composer-centredness Critique. Early-nineteenth-century pianism Performance practice. Commercialisation and digitalisation Impact on musical works. Busoni Ferruccio Aesthetics. Schubert Franz Reception and recomposition. Strohm Reinhard Historiography. Aesthetics of recorded music. Ontology of the musical artwork. 3 Kg. Nº de ref. del artículo: 455955
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The musical work : reality or invention? / edited by Michael Talbot
Publicado por
Liverpool : Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
Antiguo o usado
Tapa blanda
Original o primera edición
Librería: MW Books Ltd., Galway, Irlanda
Calificación del vendedor: 5 de 5 estrellas
First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; Liverpool Music Symposium ; 1. Physical description; viii, 260 pages. Subjects; Music Philosophy and aesthetics Congresses. Musical work Concept history and critique. Popular music Intertextuality and recording practices. Composer-centredness Critique. Early-nineteenth-century pianism Performance practice. Commercialisation and digitalisation Impact on musical works. Busoni Ferruccio Aesthetics. Schubert Franz Reception and recomposition. Strohm Reinhard Historiography. Aesthetics of recorded music. Ontology of the musical artwork. 1 Kg. Nº de ref. del artículo: 455955
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The Musical Work: Reality or Invention? (Volume 1)
Publicado por
Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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Librería: Anybook.com, Lincoln, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Condición: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780853238355. Nº de ref. del artículo: 8989183
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The Musical Work: Reality or Invention?: 1
Publicado por
Liverpool University Press, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
Antiguo o usado
Paperback
Librería: Optimon Books, Gravesend, KENT, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Like literature and art, music has 'works'. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear. Nº de ref. del artículo: 434989
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Musical Work: Reality or Invention? (Liverpool Music Symposium, 1) (Volume 1)
Publicado por
Liverpool University Press, United Kingdom, Liverpool, 2000
ISBN 10: 0853238359
ISBN 13: 9780853238355
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Paperback
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: Very Good. Like literature and art, music has works. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR010673935
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