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Sinopsis
Caravaggio is one of the most sensuous painters of all time. And of the major European painters who sought to overthrow established artistic orthodoxies through a return to, or a strengthening of, naturalism (Giotto, Masaccio, Leonardo, Courbet, Manet), Michelangelo Merisi, known as Caravaggio (1571-1610), was perhaps the most revolutionary. John Gash, Lecturer in Art History at the University of Aberdeen, examines how Caravaggio's principal innovations--his use of chiaroscuro, his practice of painting directly from posed models--formed part of a polemical yet highly expressive rhetoric of the real.
Caravaggio is one of the most sensuous painters of all time. And of the major European painters who sought to overthrow established artistic orthodoxies through a return to, or a strengthening of, naturalism (Giotto, Masaccio, Leonardo, Courbet, Manet), Michelangelo Merisi, known as Caravaggio (1571-1610), was perhaps the most revolutionary. John Gash, Lecturer in Art History at the University of Aberdeen, examines how Caravaggio's principal innovations--his use of chiaroscuro, his practice of painting directly from posed models--formed part of a polemical yet highly expressive rhetoric of the real.
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Reseña del editor
Caravaggio is one of the most sensuous painters of all time. And of the major European painters who sought to overthrow established artistic orthodoxies through a return to, or a strengthening of, naturalism (Giotto, Masaccio, Leonardo, Courbet, Manet), Michelangelo Merisi, known as Caravaggio (1571-1610), was perhaps the most revolutionary. John Gash, Lecturer in Art History at the University of Aberdeen, examines how Caravaggio's principal innovations--his use of chiaroscuro, his practice of painting directly from posed models--formed part of a polemical yet highly expressive rhetoric of the real.
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Caravaggio (Rizzoli Art Classics)
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Caravaggio (Rizzoli Art S.)
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Caravaggio
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