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Sinopsis
This work examines the development of representations of selfhood in opera in the modern period. It shows how notions of subjectivity current in various theories of modernism apply to operas, especially those which were directly or indirectly influenced by Wagner. These analyses reveal that operas may employ notions of subjectivity in various ways: as embedded in a religious context, as social critique, or as a critique of individualism.
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This work examines the development of representations of selfhood in opera in the modern period. It shows how notions of subjectivity current in various theories of modernism apply to operas, especially those which were directly or indirectly influenced by Wagner. These analyses reveal that operas may employ notions of subjectivity in various ways: as embedded in a religious context, as social critique, or as a critique of individualism.
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OPERATIC SUBJECTS THE EVOLUTION OF SELF IN MODERN OPERA
Publicado por
FAIRLEIGH DICKENSON UNIVERSITY PRESS / ASSOCIATED UNIVERSITY PRESSES, CRANBURY N.J, 2000
ISBN 10: 0838638589
ISBN 13: 9780838638583
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Librería: ARD Books, Cleveland, OH, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. N/A Ilustrador. 1st Edition. SOILD CLEAN BRIGHT AND UNMARKED BOUND IN BLACK WITH PERFECT GOLD LETTERING A LOOK AT OPERA AND ITS CHANGING MEANINGS OVER TIME AND A CASE FOR CHANGE AND INDIVIDUALITY IN OPERA A LOOK AT SELECTED OPERAS AND HOW THEY ARE VIEWED IN MODERN TIMES A RARE AND INTERESTING TITLE FOR OPERA LOVERS JACKET IS BRIGHT AND COMPLETE WITH AREAS OF SHELFWARE. Nº de ref. del artículo: 010426
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Operatic Subjects: The Evolution of Self in Modern Opera
Publicado por
Fairleigh Dickinson Univ Pr, 2000
ISBN 10: 0838638589
ISBN 13: 9780838638583
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Tapa dura
Librería: Revaluation Books, Exeter, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: Brand New. 227 pages. 9.75x6.25x0.75 inches. In Stock. Nº de ref. del artículo: zk0838638589
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