Sinopsis
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics.
Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
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Acerca del autor
Melissa Raphael is Professor of Jewish Theology at the University of Gloucestershire, UK.
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Judaism and the Visual Image: A Jewish Theology of Art
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Continuum, London, 2009
ISBN 10: 0826494986
ISBN 13: 9780826494986
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Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket. First Edition. Size: 8vo 7 3/4 - 9 3/4". xii + 229pp. Binding firm. Previous owner's inscription in ink. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Religion & Theology; Art & Design. ISBN: 0826494986. ISBN/EAN: 9780826494986. Pictures of this item not already displayed here available upon request. Inventory No: 58659. Nº de ref. del artículo: 58659
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Judaism and the Visual Image: A Jewish Theology of Art
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Judaism and the Visual Image
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Judaism and the Visual Image
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ISBN 13: 9780826494986
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Judaism and the Visual Image: A Jewish Theology of Art
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Judaism and the Visual Image: A Jewish Theology of Art
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Judaism and the Visual Image (Hardcover)
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Bloomsbury Publishing PLC, London, 2009
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Hardcover. Condición: new. Hardcover. The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics.Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art. Provides an enquiry into the visuality of the relationship between God and Israel. This book argues that revelation is an aesthetic moment, but that the Jewish assumption of its own aniconism has meant that the aesthetic has come to play no significant role in Jewish theology and ethics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780826494986
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Judaism and the Visual Image (Hardcover)
Publicado por
Bloomsbury Publishing PLC, London, 2009
ISBN 10: 0826494986
ISBN 13: 9780826494986
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Hardcover. Condición: new. Hardcover. The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics.Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art. Provides an enquiry into the visuality of the relationship between God and Israel. This book argues that revelation is an aesthetic moment, but that the Jewish assumption of its own aniconism has meant that the aesthetic has come to play no significant role in Jewish theology and ethics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780826494986
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Judaism and the Visual Image: A Jewish Theology of Art
Publicado por
Continuum International Publishing Group Ltd., 2009
ISBN 10: 0826494986
ISBN 13: 9780826494986
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Judaism and the Visual Image
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ISBN 10: 0826494986
ISBN 13: 9780826494986
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Buch. Condición: Neu. Neuware - The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics.Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art. Nº de ref. del artículo: 9780826494986
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