This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.
Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.
"Sinopsis" puede pertenecer a otra edición de este libro.
Susan Gaylard is Assistant Professor of Italian at the University of Washington.
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Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de America
Paperback. Condición: Fine. x, 372 pages, illustrations; 23 cm. Tight, clean copy. *** "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances." - Publisher. Size: 8vo. Nº de ref. del artículo: 101095
Cantidad disponible: 1 disponibles
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Condición: Used - Very Good. 2013. Paperback. Pbk. Some shelf-wear. Else clean copy. Very Good. Nº de ref. del artículo: SON000018447
Cantidad disponible: 1 disponibles
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Condición: Used - Like New. 2013. Paperback. Fine. Nº de ref. del artículo: C47764
Cantidad disponible: 9 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
paperback. Condición: Good. first edition Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized. Nº de ref. del artículo: mon0000306184
Cantidad disponible: 1 disponibles
Librería: Book Alley, Pasadena, CA, Estados Unidos de America
Paperback. Condición: Very Good. Very Good. Appears unread with NO markings. Pasadena's finest new and used bookstore. Nº de ref. del artículo: mon0000187587
Cantidad disponible: 1 disponibles
Librería: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Estados Unidos de America
Paperback. 372pp. As new, clean, tight & bright condition. Nº de ref. del artículo: 187789
Cantidad disponible: 1 disponibles
Librería: Orbiting Books, Hereford, Reino Unido
Paperback. Condición: Acceptable. Bumped edges. Book is warped. Creased cover and pages. Marks to the edges of the pages. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries. Nº de ref. del artículo: mon0000604837
Cantidad disponible: 1 disponibles
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Paperback. Condición: New. This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid-fifteenth century, and these changes were hastened by the rapid development of the printed image. Nº de ref. del artículo: LU-9780823251919
Cantidad disponible: 5 disponibles
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
Paperback. Condición: New. This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid-fifteenth century, and these changes were hastened by the rapid development of the printed image. Nº de ref. del artículo: LU-9780823251919
Cantidad disponible: 5 disponibles