A tome of the newest advances in printmaking for today’s environmentally conscious art students, master printers, teachers, and artists
Etching, lithography, and screenprinting shouldn’t be harmful to the artist or the planet. With cutting edge, never-before-published advances in printmaking media, Printmaking Revolution provides artists, students, and teachers alike with safer, environmentally friendly and non-carcinogenic methods for creating beautiful prints. Inside, teacher and professional artist, Dwight Pogue offers groundbreaking information on embracing green, petroleum-free, nontoxic materials that comply with the Environmental Protection Agency (EPA) and Occupational Safety and Health Administration (OSHA) requirements. With new alternatives for the modern era, and work by some of today’s most notable artists, including Janet Fish, James Rosenquist Walton Ford, and Louisa Chase, this book truly revolutionizes the techniques, materials, and processes of a time-honored medium.
"Sinopsis" puede pertenecer a otra edición de este libro.
Dwight Pogue is a professor of art at Smith College, where he has taught printmaking and drawing for 25 years. He is the founder and director of the Smith College Workshop, which, since 1984, has brought some of the country’s most celebrated artists to Smith to collaborate with master printers in creating limited edition prints. A Fulbright recipient and professional artist, Pogue has work in several national juries exhibitions, as well as private and public collections. He lives in Northhampton, MA.
Also available as an eBook
Traditional lithography can now be safer and simpler with no sacrifice of quality thanks to new materials that replace phosphoric and nitric acid, acetone, naptha, asphalt, lithotine, paint thinner, and lacquer bases. The following is a step-by-step procdure for using these new materials-- first, for stone lithogrpahy, and then for ball-grained plate lithography.
In recent years stone lithography seems to have fallen out of favor with college and university printmaking programs, probably because of increasing environmental awareness and stricter EPA regulations. Instructors correctly wish their students to avoid working with hazardous materials, such as nitric acid and lithotine. Thanks to the innovations discussed in this book, stone lithography can once again become part of the printmaking curriculum.
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 17,19 gastos de envío desde Estados Unidos de America a España
Destinos, gastos y plazos de envíoEUR 2,00 gastos de envío desde Irlanda a España
Destinos, gastos y plazos de envíoLibrería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.68. Nº de ref. del artículo: G0823008126I4N10
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.68. Nº de ref. del artículo: G0823008126I4N10
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.68. Nº de ref. del artículo: G0823008126I3N00
Cantidad disponible: 1 disponibles
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Good. Used book that is in clean, average condition without any missing pages. Nº de ref. del artículo: 38343156-75
Cantidad disponible: 1 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 2012. Hardcover. A resource for art school and university students, master printers, and fine artists who work with printmaking media. It provides the advancements in the three major printmaking mediums of etching, lithography, and screen-printing. It demonstrates how to embrace green materials and practices, without sacrificing the quality of fine art prints. Num Pages: 240 pages, full colour throughout, includes 225 illustrations. BIC Classification: AFH. Category: (G) General (US: Trade). Dimension: 282 x 222 x 22. Weight in Grams: 1212. . . . . . Nº de ref. del artículo: V9780823008124
Cantidad disponible: 1 disponibles
Librería: Speedyhen, London, Reino Unido
Condición: NEW. Nº de ref. del artículo: NW9780823008124
Cantidad disponible: 1 disponibles
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In. Nº de ref. del artículo: ria9780823008124_new
Cantidad disponible: 1 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. 2012. Hardcover. A resource for art school and university students, master printers, and fine artists who work with printmaking media. It provides the advancements in the three major printmaking mediums of etching, lithography, and screen-printing. It demonstrates how to embrace green materials and practices, without sacrificing the quality of fine art prints. Num Pages: 240 pages, full colour throughout, includes 225 illustrations. BIC Classification: AFH. Category: (G) General (US: Trade). Dimension: 282 x 222 x 22. Weight in Grams: 1212. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780823008124
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 240 pages. 11.25x8.75x1.00 inches. In Stock. Nº de ref. del artículo: 0823008126
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 16224719-n
Cantidad disponible: 1 disponibles