In his fifth collection of poetry, the physician and award-winning writer Rafael Campo considers what it means to be the enemy in America today. Using the empathetic medium of a poetry grounded in the sentient physical body we all share, he writes of a country endlessly at war―not only against the presumed enemy abroad but also with its own troubled conscience. Yet whether he is addressing the U.S. invasion of Iraq, the battle against the AIDS pandemic, or the culture wars surrounding the issues of feminism and gay marriage, Campo’s compelling poems affirm the notion that hope arises from even the most bitter of conflicts. That hope―manifest here in the Cuban exile’s dream of returning to his homeland, in a dying IV drug user’s wish for humane medical treatment, in a downcast housewife’s desire to express herself meaningfully through art―is that somehow we can be better than ourselves. Through a kaleidoscopic lens of poetic forms, Campo soulfully reveals this greatest of human aspirations as the one sustaining us all.
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Rafael Campo teaches and practices general internal medicine at Harvard Medical School and Beth Israel Deaconess Medical Center in Boston. He is the author of several books of poetry, including Landscape with Human Figure, winner of the gold medal in poetry from ForeWord Magazine; Diva, a finalist for the National Book Critics Circle Award and the Paterson Poetry Prize; and What the Body Told, winner of a Lambda Literary Award for Poetry; all also published by Duke University Press. He has written two books of essays, The Healing Art: A Doctor’s Black Bag of Poetry and The Poetry of Healing: A Doctor’s Education in Empathy, Identity, and Desire, winner of a Lambda Literary Award for memoir. His poetry and essays have appeared in periodicals including The New England Journal of Medicine, The New York Times Magazine, The Los Angeles Times, The Nation, The New Republic, Out, The Paris Review, and The Washington Post Book World.
"Rafael Campo's "The Enemy" moves with naturalness, speed, and balance between experiences of domestic love--a couple of gay men, celebrating rites of daily ordinariness--and scenes from a doctor's life. We turn to Campo for frankness, freshness, and the tang of truth, and we are rewarded."--Rosanna Warren, author of "Departure"
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