How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story--and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original.
From fakes of the late eighteenth century, such as Thomas Chatterton's Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving's fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.
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Mark Osteen, Professor of English and Director of the Center for the Humanities at Loyola University Maryland, is author of Nightmare Alley: Film Noir and the American Dream.
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Librería: Riverby Books (DC Inventory), Fredericksburg, VA, Estados Unidos de America
paperback. Condición: Very Good. Softcover. Pictorial covers are clean with minimal wear and matte finish. Binding is tight and secure. Pages are clean, crisp, and bright. Printed in B&W. 358 pages. Copyright page dated 2021. A very good copy. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs. Nº de ref. del artículo: F-13606
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story-and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original.From fakes of the late eighteenth century, such as Thomas Chatterton's Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving's fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged. Nº de ref. del artículo: LU-9780813946276
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Librería: Literary Cat Books, Machynlleth, Powys, WALES, Reino Unido
Original decorated wrappers. Condición: New. Print on demand. Light shelfwear.; Octavo; 358 pages. Nº de ref. del artículo: LCH46380
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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