In this incisive, abundantly illustrated study, Julie Wosk explores for the first time how the visual arts reflected the explosive psychological impact of the Industrial Revolution on English and American society. Wosk reveals the ways artists and designers responded to the hopes and fears for the first industrial age, and how their work continues to illuminate our own visions of technology and culture.
Wosk also reveals the striking ability of artists to capture the drama and the dangers of the new technologies, seen in their images of factories spewing smoke, steam boilers bursting, trains crashing, and comic views of people-turned-automatons. Their art dramatically mirrored widespread feelings of disorientationÐÐthe phenomenon sociologists have called "breaking frame."
Wosk demonstrates the startling impact of new technologies on the decorative arts and industrial design. While critics anquished, manufacturers using new materials poured out elaborately ornamented machine-made copies of original works of art. The new simulations spurred dramatic design debatesÐÐdebates which have resurfaced during our postmodern era. She also highlights how artists' responses to a world newly transformed by technology prefigured the fear and pride, resistance and accommodation to technological achievement, that are still felt over a century later.
"Sinopsis" puede pertenecer a otra edición de este libro.
In this incisive, abundantly illustrated study, Julie Wosk explores for the first time how the visual arts reflected the explosive psychological impact of the Industrial Revolution on English and American society. Wosk reveals the ways artists and designers responded to the hopes and fears for the first industrial age, and how their work continues to illuminate our own visions of technology and culture. Wosk also reveals the striking ability of artists to capture the drama and the dangers of the new technologies, seen in their images of factories spewing smoke, steam boilers bursting, trains crashing, and comic views of people-turned-automatons. Their art dramatically mirrored widespread feelings of disorientation the phenomenon sociologists have called "breaking frame." Wosk demonstrates the startling impact of new technologies on the decorative arts and industrial design. While critics anquished, manufacturers using new materials poured out elaborately ornamented machine-made copies of original works of art. The new simulations spurred dramatic design debates debates which have resurfaced during our postmodern era. She also highlights how artists' responses to a world newly transformed by technology prefigured the fear and pride, resistance and accommodation to technological achievement, that are still felt over a century later.
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Librería: More Than Words, Waltham, MA, Estados Unidos de America
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Librería: Riverow Bookshop, Owego, NY, Estados Unidos de America
Trade PAPERBACK. Condición: G/No Dustjacket. Black & White Photos & Illus. Ilustrador. New Brunswick, NJ: Rutgers University Press. G/No Dustjacket. (1992). . Trade PAPERBACK. 8vo., xiii, 267pp. . Nº de ref. del artículo: BOOKS280029
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780813519258. Nº de ref. del artículo: 3953851
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Librería: SHIMEDIA, Brooklyn, NY, Estados Unidos de America
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