Verdi, Wagner, polymorphous perversion, Puccini, Brunnhilde, Pinkerton, and Parsifal all rub shoulders in this delightful, poetic, insightful, sexual book sprung by one mans physical response to the power and exaggeration we call opera. Sam Abel applies a light touch as he considers the topic of opera and the eroticized body: Why do audiences respond to opera in a visceral way? How does opera, like no other art form, physically move watchers? How and why does opera arouse feelings akin to sexual desire? Abel seeks the answers to these questions by examining homoerotic desire, the phenomenon of the castrati, operatic cross-dressing, and opera as presented through the media. }Verdi, Wagner, polymorphous perversion, Puccini, Brunnhilde, Pinkerton, and Parsifal all rub shoulders in this delightful, poetic, insightful, sexual book sprung by one mans physical response to the power and exaggeration we call opera. Sam Abel applies a light touch as he considers the topic of opera and the eroticized body: Why do audiences respond to opera in a visceral way? How does opera, like no other art form, physically move watchers? How and why does opera arouse feelings akin to sexual desire? Abel seeks the answers to these questions by examining homoerotic desire, the phenomenon of the castrati, operatic cross-dressing, and opera as presented through the media.In this deeply personal book, Abel writes, These pages map my current struggles to pin down my passion for opera, my intense admiration for its aesthetic forms and beauties, but much more my astonishment at how opera makes me lose myself, how it consumes me. In so doing, Abel uncovers what until now, through dry musicology and gossipy history, had been left behind a wall of silence: the physical and erotic nature of opera. Although Abel can speak with certainty only about his own visceral response to opera, he provides readers with a language and a resonance with which to understand their own experiences. Ultimately, Opera in the Flesh celebrates the power of opera to move audiences as no other book has done. It is indeed a treasure of scholarship, passion, and poetry for everyone with even a passing interest in this fascinating art form. }
"Sinopsis" puede pertenecer a otra edición de este libro.
Verdi, Wagner, polymorphous perversion, Puccini, Brunnhilde, Pinkerton, and Parsifal all rub shoulders in this delightful, poetic, insightful, sexual book sprung by one mans physical response to the power and exaggeration we call opera. Sam Abel applies a light touch as he considers the topic of opera and the eroticized body: Why do audiences respond to opera in a visceral way? How does opera, like no other art form, physically move watchers? How and why does opera arouse feelings akin to sexual desire? Abel seeks the answers to these questions by examining homoerotic desire, the phenomenon of the castrati, operatic cross-dressing, and opera as presented through the media. }Verdi, Wagner, polymorphous perversion, Puccini, Brunnhilde, Pinkerton, and Parsifal all rub shoulders in this delightful, poetic, insightful, sexual book sprung by one mans physical response to the power and exaggeration we call opera. Sam Abel applies a light touch as he considers the topic of opera and the eroticized body: Why do audiences respond to opera in a visceral way? How does opera, like no other art form, physically move watchers? How and why does opera arouse feelings akin to sexual desire? Abel seeks the answers to these questions by examining homoerotic desire, the phenomenon of the castrati, operatic cross-dressing, and opera as presented through the media.In this deeply personal book, Abel writes, These pages map my current struggles to pin down my passion for opera, my intense admiration for its aesthetic forms and beauties, but much more my astonishment at how opera makes me lose myself, how it consumes me. In so doing, Abel uncovers what until now, through dry musicology and gossipy history, had been left behind a wall of silence: the physical and erotic nature of opera. Although Abel can speak with certainty only about his own visceral response to opera, he provides readers with a language and a resonance with which to understand their own experiences. Ultimately, Opera in the Flesh celebrates the power of opera to move audiences as no other book has done. It is indeed a treasure of scholarship, passion, and poetry for everyone with even a passing interest in this fascinating art form. }
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Mozart Books Ltd., Pasadena, CA, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Black cloth with red lettering to spine. In very good condition in like jacket. 235 pp. Reasonably engaging discussion of gender and sexual prototypes in classic operas. Honest interpretation. Nº de ref. del artículo: 000237
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0813329000I4N10
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0813329000I3N00
Cantidad disponible: 1 disponibles
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0813329000I4N00
Cantidad disponible: 1 disponibles
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 16367962-75
Cantidad disponible: 1 disponibles
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 5109164-6
Cantidad disponible: 1 disponibles
Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 11837201-20
Cantidad disponible: 1 disponibles
Librería: Tiber Books, Cockeysville, MD, Estados Unidos de America
Hardcover. Condición: Very Good. 8vo, hardcover. Vg condition in near fine dj. Prev. owner's blind-stamp on endpaper; Remainder mark on bottom text-block edge. Contents bright & clean, binding tight; dj glossy. xv, 235 p., illus. Nº de ref. del artículo: 1150113.31
Cantidad disponible: 1 disponibles
Librería: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Estados Unidos de America
Hardcover. 235pp. Black mark on bottom edge, else near new condition, covers bright, text clean & binding tight / bright and crisp dust jacket. Nº de ref. del artículo: 176874
Cantidad disponible: 1 disponibles
Librería: BIBLIOPE by Calvello Books, Oakland, CA, Estados Unidos de America
Hardcover. Condición: Fine. Octavo in an illustrated DJ(green DJ); xv, 235 p.: illus; 24 cm. Sex in opera -- History --Music. A fine crisp copy in a fine DJ First edition, first printing (full number line). Nº de ref. del artículo: 30453
Cantidad disponible: 1 disponibles