In her celebrated essay “Against Decoration,” published in Parnassus, Mary Karr took aim against the verbal ornaments that too often pass for poetry these days and their attendant justifications: deconstruction and a “new formalism” that elevates form as an end in itself. Her own poems, she says, are “humanist poems,” written for everyday readers rather than an exclusive audience––poems that do not require an academic explication in order to be understood. Of The Devil’s Tour, her newest collection, she writes: “This is a book of poems about standing in the dark, about trying to memorize the bad news. The tour is a tour of the skull. l am thinking of Satan in Paradise Lost: ’The mind is its own place and it can make a hell of heav’n or a heav’n of hell … I myself am hell.”
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Mary Karr is the author of three award-winning, bestselling memoirs: The Liars Club, which was a finalist for the National Book Critics Circle Award; Cherry, which was selected as a notable book by book reviews nationwide; and Lit, which was one of the New York Times Book Review s Ten Best Books of the Year (and made virtually every other Best of the Year list) and a National Book Critics Circle Award finalist. A Guggenheim Fellow in poetry, Karr has won Pushcart Prizes for both verse and essays. She is the Peck Professor of Literature at Syracuse University.
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