The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.
'Underground Classics' provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making 'Underground Classics' indispensible for the seriousminded comics fan and for the casual reader alike.
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Denis Kitchen, cartoonist, writer, editor, publisher and entrepreneur, was present at the birth of the underground comics movement. From his first self-published effort, Mom's Homemade Comics No. 1 in 1968, Kitchen has worked with every important artist active in producing underground comix. This long relationship with other artists, many of whom he published through Krupp Comics Works and Kitchen Sink Press, is the basis for both the exhibition and this catalogue.
The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.
'Underground Classics' provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making 'Underground Classics' indispensible for the seriousminded comics fan and for the casual reader alike.
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
Hardback. Condición: Good. The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.Underground Classics provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making Underground Classics indispensible for the seriousminded comics fan and for the casual reader alike. Nº de ref. del artículo: 00110843994
Cantidad disponible: 1 disponibles
Librería: World of Books Inc, Montgomery, IL, Estados Unidos de America
Hardback. Condición: Good. The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.Underground Classics provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making Underground Classics indispensible for the seriousminded comics fan and for the casual reader alike. Nº de ref. del artículo: CIN0810905981G
Cantidad disponible: 1 disponibles
Librería: Greenworld Books, Arlington, TX, Estados Unidos de America
Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Nº de ref. del artículo: GWV.0810905981.VG
Cantidad disponible: 1 disponibles
Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_488109139
Cantidad disponible: 1 disponibles
Librería: Avol's Books LLC, Madison, WI, Estados Unidos de America
Hardcover. Condición: Fine. No Jacket. 1st Edition. Nº de ref. del artículo: 226923
Cantidad disponible: 1 disponibles
Librería: Time Traveler Books, Pittsburgh, PA, Estados Unidos de America
Hardcover. Condición: Fine No dust jacket as issued. First Edition; First Printing. Full number line.; 143 pages. Nº de ref. del artículo: 43447
Cantidad disponible: 1 disponibles
Librería: Pulpfiction Books, Vancouver, BC, Canada
Hardcover. Condición: Fine. 1st Edition. First edition, first printing. Fine to Fine- oversize hardback issued without dust jacket, clean and unmarked. Nº de ref. del artículo: 016499
Cantidad disponible: 1 disponibles
Librería: Test Centre Books, Norwich, Reino Unido
Hardcover. Condición: Very Good. 1st Edition. 1st printing. 4to. Pictorial boards. 144pp. A definitive visual survey and essential resource, published as the companion to a travelling exhibition. Mild shelfwear and dustiness outwardly, though generally crisp. Nº de ref. del artículo: 009961
Cantidad disponible: 1 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 144 Illus. Nº de ref. del artículo: 7945238
Cantidad disponible: 3 disponibles
Librería: Stony Hill Books, Madison, WI, Estados Unidos de America
Hardcover. Condición: As New. 1st Edition. Large format pictorial hardcover As NEW condition, SIGNED by bothg authors on title page. Signed by Author(s). Nº de ref. del artículo: 027444
Cantidad disponible: 1 disponibles