By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life.
The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poämes, the authors argue, these states of sound make bold but wavering statements - statements held only partially in check by meaning.
The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.
"Sinopsis" puede pertenecer a otra edición de este libro.
Adalaide Morris is professor of English and chair of the English department at the University of Iowa.
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Librería: Books-R-Keen, DuBois, PA, Estados Unidos de America
paperback. Condición: Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable. **MAY BE AN EX LIBRARY COPY**. Nº de ref. del artículo: 13F37825
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Librería: Harry Alter, Sylva, NC, Estados Unidos de America
paperback, Condición: Good, University of North Carolina Press, c.1997, 1st.trade paperbk.prtg., 349pp., creas to spine, some penciling, ow G $. Nº de ref. del artículo: 104706
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Librería: GoldBooks, Denver, CO, Estados Unidos de America
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. The essays in this text investigate the relationship between acoustical technologies and 20th-century experimental poetics, aiming to rethink how we read, hear and talk about literary texts composed after telephones, radios and tape recorders became part of everyday life. Examples are provided. Editor(s): Morris, Adalaide Kirby. Num Pages: 360 pages, 5 illustrations, notes, bibliography, index. BIC Classification: 2AB; DSA; DSBH; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 157 x 26. Weight in Grams: 626. . 1998. 1st Edition. Paperback. . . . . Nº de ref. del artículo: V9780807846704
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