This book examines the comic and philosophical aspects of Apuleius' Metamorphoses, the ancient Roman novel also known as The Golden Ass. The tales that comprise the novel, long known for their bawdiness and wit, describe the adventures of Lucius, a man who is transformed into an ass. Carl Schlam argues that the work cannot be seen as purely comic or wholly serious; he says that the entertainment offered by the novel includes a vision of the possibilities of grace and salvation.
Many critics have seen a discontinuity between the comedic aspects of the first ten tales and the more elevated account in the eleventh of the initiation of Lucius into the cult of Isis. But Schlam uncovers patterns of narrative and a thematic structure that give coherence to the adventures of Lucius and to the diversity of tales embedded in the principal narrative. Schlam sees a single seriocomic purpose pervading the narrative, which is marked by elements of burlesque as well as intimations of an ethical religious purpose.
As Schlam points out, however, the world of second-century Rome cannot easily be divided into the sacred and the secular. Such neat distinctions were largely unknown in the ancient world, and Apuleius' tales are part of a tradition, flowing from Homer, that addressed both religious and philosophical issues.
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This book examines the comic and philosophical aspects of Apuleius' Metamorphoses, the ancient Roman novel also known as The Golden Ass. The tales that comprise the novel, long known for their bawdiness and wit, describe the adventures of Lucius, a man who is transformed into an ass. Carl Schlam argues that the work cannot be seen as purely comic or wholly serious; he says that the entertainment offered by the novel includes a vision of the possibilities of grace and salvation. Many critics have seen a discontinuity between the comedic aspects of the first ten tales and the more elevated account in the eleventh of the initiation of Lucius into the cult of Isis. But Schlam uncovers patterns of narrative and a thematic structure that give coherence to the adventures of Lucius and to the diversity of tales embedded in the principal narrative. Schlam sees a single seriocomic purpose pervading the narrative, which is marked by elements of burlesque as well as intimations of an ethical religious purpose. As Schlam points out, however, the world of second-century Rome cannot easily be divided into the sacred and the secular. Such neat distinctions were largely unknown in the ancient world, and Apuleius' tales are a part of a tradition, flowing from Homer, that addressed both religious and philosophical issues. Originally published in 1992. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Carl C. Schlam, professor of classics at Ohio Sate University, is author of Cupid and Psyche: Apuleius and the Monuments.
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Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: University of North Carolina Press; Pub Date: 4/13/1992 Binding: Hardcover Pages: 176 Reprint edition. Nº de ref. del artículo: 6852989
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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 8vo - over 7¾ - 9¾" tall. 176pp. FINE/HC/DJ. Nº de ref. del artículo: 017668
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Librería: Ancient World Books, Toronto, ON, Canada
Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Near Fine. Scholar's small bookplate to ffep (R. E. Fantham). Else book is fine. ; This book examines the comic and philosophical aspects of Apuleius' Metamorphoses, the ancient Roman novel also known as The Golden Ass. The tales that comprise the novel, long known for their bawdiness and wit, describe the adventures of Lucius, a man who is transformed into an ass. Carl Schlam argues that the work cannot be seen as purely comic or wholly serious; he says that the entertainment offered by the novel includes a vision of the possibilities of grace and salvation. Many critics have seen a discontinuity between the comedic aspects of the first ten tales and the more elevated account in the eleventh of the initiation of Lucius into the cult of Isis. But Schlam uncovers patterns of narrative and a thematic structure that give coherence to the adventures of Lucius and to the diversity of tales embedded in the principal narrative. Schlam sees a single seriocomic purpose pervading the narrative, which is marked by elements of burlesque as well as intimations of an ethical religious purpose. As Schlam points out, however, the world of second-century Rome cannot easily be divided into the sacred and the secular. Such neat distinctions were largely unknown in the ancient world, and Apuleius' tales are a part of a tradition, flowing from Homer, that addressed both religious and philosophical issues; 192 pages. Nº de ref. del artículo: 26453
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Hardcover with dust jacket. VG/G. Very small chip in top edge of dust jacket. Very good otherwise. 176 pages. 176 pp. Nº de ref. del artículo: 441384
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Nº de ref. del artículo: M080782013XZ2
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text clean and solid; 8vo 8" - 9" tall; 192 pages. Nº de ref. del artículo: 231572
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