This powerful and breathtakingly beautiful Book of Hours was designed in the fifteenth century by one of the greatest masters of expressionism in France at the time, and executed by him (together with members of his workshop) for a royal patron. A relatively unknown masterpiece, it emerged from artistic obscurity in 1904 to widespread acclaim and critical appreciation.
As Millard Meiss points out in his Introduction: "The Rohan Master cared less about what people do than what they feel. . . .Whereas his great predecessors, the Boucicaut Master and the Limbourgs, excelled in the description of novel aspects of the natural world, he explored the realm of human feeling." And, in his explorations, the Rohan Master disclosed a way of viewing and visually depicting reality (replete with familiar biblical figures, saints, angels, devils) and the emotions of simple men and women - suffering, elation, fear, melancholy, and hope - in a manner that is both original and powerfully moving.
From the first folio of this remarkable and often startling manuscript to the final plate, the entire range of human emotions is compassionately but uncompromisingly explored. Named after the Rohan family, whose arms appear in this manuscript, this distinctive artist earned himself a place as one of the greatest manuscript illuminators of the early Renaissance.
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This powerful and breathtakingly beautiful Book of Hours was designed in the fifteenth century by one of the greatest masters of expressionism in France at the time, and executed by him (together with members of his workshop) for a royal patron. A relatively unknown masterpiece, it emerged from artistic obscurity in 1904 to widespread acclaim and critical appreciation.
As Millard Meiss points out in his Introduction: "The Rohan Master cared less about what people do than what they feel. . . .Whereas his great predecessors, the Boucicaut Master and the Limbourgs, excelled in the description of novel aspects of the natural world, he explored the realm of human feeling." And, in his explorations, the Rohan Master disclosed a way of viewing and visually depicting reality (replete with familiar biblical figures, saints, angels, devils) and the emotions of simple men and women - suffering, elation, fear, melancholy, and hope - in a manner that is both original and powerfully moving.
From the first folio of this remarkable and often startling manuscript to the final plate, the entire range of human emotions is compassionately but uncompromisingly explored. Named after the Rohan family, whose arms appear in this manuscript, this distinctive artist earned himself a place as one of the greatest manuscript illuminators of the early Renaissance.
Thomas, The Bibliotheque Nationale, Paris, France.
Millard Meiss (1904-1975) est l un des grands representants de l ecole d histoire de l art americaine influencee par Panofsky. Ses travaux ont porte sur l art italien du Trecento et du Quattrocento, avant qu il ne se consacre totalement a l etude de la miniature francaise.
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Destinos, gastos y plazos de envíoLibrería: BooksRun, Philadelphia, PA, Estados Unidos de America
Hardcover. Condición: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Nº de ref. del artículo: 0807606901-7-1
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hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_447428063
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Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_448835579
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Hardcover. Condición: Very Good. Hardcover in slip case. Good binding and cover. 247 pages (including 127 color plates) 30 cm. Shelf wear. Scuff marks to case and edge. Reproduced from the illuminated manuscript (Ms. latin 9471), Bibliotheque nationale, Paris. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Nº de ref. del artículo: 2504090010
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Librería: ThriftBooksVintage, Tukwila, WA, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery. 3.5. Nº de ref. del artículo: 1580350346
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Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Not Issued. 1st Edition. Red cloth, lettered in gold foil. Cover cloth shows minor soiling along joints from being slipped in and out of slipcase, slight rubbing to lower front cover, otherwise about as issued. 248 pp., illus. in color. 1st ed. Slipcase Near Fine with minor shelf wear. Size: 4to - over 9¾" - 12" tall. Book. Nº de ref. del artículo: 068663
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Hardcover. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. No Slipcase Cover. Pages are clean. Binding is secure. Secure packaging for safe delivery. 3.5. Nº de ref. del artículo: 1332590646
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