Book by Halprin Lawrence
"Sinopsis" puede pertenecer a otra edición de este libro.
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Destinos, gastos y plazos de envíoLibrería: Else Fine Booksellers, Tacoma, WA, Estados Unidos de America
Soft cover. Condición: Good. 1st Edition. 207 pages, references, illustrations throughout. Heavy spine creases, though binding is holding strong. Small tear at the head of the spine, light crease on the back and several small thumb creases on the front wrap and first few pages. Light edge wear, text clean. Nº de ref. del artículo: 002575
Cantidad disponible: 1 disponibles
Librería: Turning of the Tide Books, SEATTLE, WA, Estados Unidos de America
Soft cover. Condición: Very Good. No Jacket. 1st Edition. Stated 1981 Fifth Printing. Book in VG- condition; binding tight, slight crease bottom front corner, light cover wear yet remain clean, owner name to ffep, text clean and legible throughout. Nº de ref. del artículo: ABE-1669752623369
Cantidad disponible: 1 disponibles
Librería: Lost Books, AUSTIN, TX, Estados Unidos de America
207 p. Audience: General/trade. Good. No dust jacket. Missing dust jacket. Nº de ref. del artículo: Alibris.0014570
Cantidad disponible: 1 disponibles
Librería: Nicholas J. Certo, Newburgh, NY, Estados Unidos de America
Hardcover. Condición: Very Good. 1st Edition. The elusive hardbound issue. Some darkening to the spine cloth, pages with age tanning, gift inscription to free endpaper, no other marking. The acetate dust wrapper is not present. Nº de ref. del artículo: 24-9 SAUG architect white cloth 10x9
Cantidad disponible: 1 disponibles
Librería: Vellum is the GOAT, San Rafael, CA, Estados Unidos de America
Soft cover. Condición: Very Good. 207 pages: illustrations; 23 cm. Shelfworn, very good. Nº de ref. del artículo: CNH0006032
Cantidad disponible: 1 disponibles
Librería: Past Pages, Oshawa, ON, Canada
Paperback. Condición: Very Good. Lawrence Halprin, unless otherwise credited Ilustrador. First Edition 4th Printing. SELLER'S NOTE TO INTERNATIONAL (NON CANADA OR USA) BUYERS: Additional shipping charges will be required and requested during the purchase process of this title. Light Creasing on Front Cover; Front, Rear Covers, Spine Lightly Chipped. EXCERPT: This book started as an exploration of "scores" and the interrelationships between scoring in the various fields of art. Scores are symbolizations of processes which extend over time. The most familiar kind of "score" is a musical one, but I have extended this meaning to include "scores" in all fields of human endeavour. Even a grocery list or a calendar, for example, are scores. I have been interested in the idea of scoring not any one particular system of scoring, but scoring generally - for many years. This interest grew, quite clearly, from two different sources: first, because I am professionally an environmental designer and planner involved in the broad landscape where human beings and nature interface; and, second, because of my close relationship to dance and theatre due largely to my wife, the dancer and choreographer Ann Halprin, who is Director of the Dancers' Workshop in San Francisco. Both sources - the new theatre-dance and the environment as Ann and I have been practicing them are nonstatic, very closely related in that they are process-oriented, rather than simply result-oriented. Both derive their strengths and fundaments from a deep involvement in activity. In both fields, the process is like an iceberg - 9/10 invisible but nonetheless vital to achievement. Both deal with subtleties and nuance, intuition, and fantasy, and go to the root-source of human needs and desires - atavistic ones at that. In both, values, though there, are not really demonstrable. At all events, I have been searching for years (and still am) for means to describe and evoke processes on other than a simply random basis. I thought that this would have meaning not only for my field of the environmental arts and dance-theatre, but also for all the other arts where the elements of time and activity over time (particularly of numbers of people) would have meaning and usefulness. I saw scores as a way of describing all such processes in all the arts, of making process visible and thereby designing with process through scores. I saw scores also as a way of communicating these processes over time and space to other people in other places at other moments and as a vehicle to allow many people to enter into the act of creation together, allowing for participation, feedback, and communications. Size: 8vo - over 7¾" - 9¾" tall. Nº de ref. del artículo: 001669
Cantidad disponible: 1 disponibles
Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
Paperback. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Nº de ref. del artículo: Scanned0807605573
Cantidad disponible: 1 disponibles