Gramophone, Film, Typewriter (Writing Science)

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9780804732338: Gramophone, Film, Typewriter (Writing Science)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation―all data had to pass through the needle's eye of the written signifier―but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.

Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media―including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators―Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.

Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author's Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler's discourse analysis of the 1980's and his increasingly computer-oriented work of the 1990's.

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About the Author:

Friedrich A. Kittler is a professor at the Institute for Aesthetics and Cultural Studies at Humboldt University, Berlin.

Language Notes:

Text: English (translation)
Original Language: German

"Sobre este título" puede pertenecer a otra edición de este libro.

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Kittler, Friedrich A.
ISBN 10: 0804732337 ISBN 13: 9780804732338
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Descripción 1999. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780804732338

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Friedrich A. Kittler
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Descripción Stanford University Press, United States, 1999. Paperback. Estado de conservación: New. Language: English . Brand New Book. Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation-all data had to pass through the needle s eye of the written signifier-but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media-including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators-Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author s Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler s discourse analysis of the 1980 s and his increasingly computer-oriented work of the 1990 s. Nº de ref. de la librería AAJ9780804732338

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Friedrich A. Kittler
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Descripción Stanford University Press, United States, 1999. Paperback. Estado de conservación: New. Language: English . Brand New Book. Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation-all data had to pass through the needle s eye of the written signifier-but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media-including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators-Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author s Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler s discourse analysis of the 1980 s and his increasingly computer-oriented work of the 1990 s. Nº de ref. de la librería AAJ9780804732338

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Kittler, Friedrich A.
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Friedrich A. Kittler, Geoffrey Winthrop-Young, Michael Wutz, Geoffrey Winthrop Young
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Friedrich A. Kittler
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Descripción Stanford University Press, 1999. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780804732338

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Friedrich Kittler
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Descripción Paperback. Estado de conservación: New. Paperback. Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 360 pages. 0.490. Nº de ref. de la librería 9780804732338

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Friedrich Kittler
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Descripción Stanford University Press. Paperback. Estado de conservación: New. Paperback. 360 pages. Dimensions: 8.9in. x 6.0in. x 0.9in.Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediationall data had to pass through the needles eye of the written signifierbut phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers. Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these mediaincluding texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovatorsGramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines. Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the authors Discourse Networks, 18001900 (Stanford, 1990). As such, it bridges the gap between Kittlers discourse analysis of the 1980s and his increasingly computer-oriented work of the 1990s. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780804732338

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Kittler, Friedrich; Winthrop-Young, Geoffrey [Translator]; Wutz, Michael [Translator];
Editorial: Stanford University Press (1999)
ISBN 10: 0804732337 ISBN 13: 9780804732338
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Descripción Stanford University Press, 1999. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780804732338

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