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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics) - Tapa blanda
Sinopsis
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world’s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection.
The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
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Acerca del autor
Pierre Bourdieu is Professor of Sociology at the Collège de France. Stanford University Press has published eight other books by Bourdieu, most recently Free Exchange, with Hans Haacke (Stanford, 1995).
De la contraportada
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world’s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection.
The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
De la solapa interior
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art s new autonomy is one such structure, which complicates but does not eliminate the interconnection.
The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
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- EditorialStanford University Press
- Año de publicación1996
- ISBN 10 0804726272
- ISBN 13 9780804726276
- EncuadernaciónTapa blanda
- IdiomaInglés
- Número de edición1
- Número de páginas432
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The Rules of Art: Genesis and Structure of the Literary Field (Paperback or Softback)
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Stanford University Press 7/1/1996, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
Publicado por
Stanford University Press, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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Soft cover. Condición: New. 1st Edition. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art s new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another. Nº de ref. del artículo: ABE-1743529035774
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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
Publicado por
Stanford University Press, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
Publicado por
Stanford University Press, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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Rules of Art : Genesis and Structure of the Literary Field
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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
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Stanford University Press, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
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Stanford University Press, 1996
ISBN 10: 0804726272
ISBN 13: 9780804726276
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Rules of Art : Genesis and Structure of the Literary Field
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ISBN 13: 9780804726276
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The Rules of Art: Genesis and Structure of the Literary Field
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