In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike. In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed. Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raul Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere.
"Sinopsis" puede pertenecer a otra edición de este libro.
Jonathan Rosenbaum is film critic for the Chicago Reader and the author or editor of fourteen books, including Movie Wars: How Hollywood and the Media Limit What Films We Can See, Movies as Politics, and Placing Movies: The Practice of Film Criticism.
Jonathan Rosenbaum is arguably the most insightful and informed film critic working today. In Essential Cinema he gathers together twenty years of writing to explore the idea of—and the need for—a film canon. Though the idea may be unfashionable, particularly within the academy, Rosenbaum argues that a canon of great and near-great films is vital if we are to understand film as an art. Featuring a new afterword with an updated list of favorite films, this is an essential book for film students, film scholars, and film buffs.
"A virtuoso collection by one of the finest film critics currently active... There's nothing here that won't enrich the reader in some way. If you have seen the film already, you will see it better. If you haven't seen it, you will want to."—The Times of London
"Rosenbaum's passionate, thoughtful, and richly informed advocacy of the films he cares about earns this book a place on any cinephile's shelf... Rosenbaum, an enormously erudite and deeply reflective viewer unbeholden to academic norms and taboos, is ideally positioned to propose a canon of great works... An essential guide."—Boston Globe
"Accessible without being dumbed down... Filled with perceptive insights and fascinating juxtapositions... A closing list of 1,000 favorite films is sure to spark debate among cineastes while offering a long checklist of films to watch."—Publishers Weekly
"Every essay demonstrates Rosenbaum's fervent dedication to the cinema and, more important, that he has the knowledge and insight to support his impassioned opinions."—Booklist
"Jonathan Rosenbaum is one of the most invested voices in writing about movies. When there's a subject he's spent decades thinking on, he's nonpareil."—Newcity
"This is a road map for anyone who cares about discovering new cinematic terrain."—Choice
Jonathan Rosenbaum is film critic for the Chicago Reader and the author or editor of fourteen books, including Movie Wars: How Hollywood and the Media Limit What Films We Can See, Movies as Politics, and Placing Movies: The Practice of Film Criticism.
Jonathan Rosenbaum is arguably the most insightful and informed film critic working today. In Essential Cinema he gathers together twenty years of writing to explore the idea of--and the need for--a film canon. Though the idea may be unfashionable, particularly within the academy, Rosenbaum argues that a canon of great and near-great films is vital if we are to understand film as an art. Featuring a new afterword with an updated list of favorite films, this is an essential book for film students, film scholars, and film buffs.
A virtuoso collection by one of the finest film critics currently active . . . There's nothing here that won't enrich the reader in some way. If you have seen the film already, you will see it better. If you haven't seen it, you will want to.--The Times of London
Rosenbaum's passionate, thoughtful, and richly informed advocacy of the films he cares about earns this book a place on any cinephile's shelf . . . Rosenbaum, an enormously erudite and deeply reflective viewer unbeholden to academic norms and taboos, is ideally positioned to propose a canon of great works . . . An essential guide.--Boston Globe
Accessible without being dumbed down . . . Filled with perceptive insights and fascinating juxtapositions . . . A closing list of 1,000 favorite films is sure to spark debate among cineastes while offering a long checklist of films to watch.--Publishers Weekly
Every essay demonstrates Rosenbaum's fervent dedication to the cinema and, more important, that he has the knowledge and insight to support his impassioned opinions.--Booklist
Jonathan Rosenbaum is one of the most invested voices in writing about movies. When there's a subject he's spent decades thinking on, he's nonpareil.--Newcity
This is a road map for anyone who cares about discovering new cinematic terrain.--Choice
Jonathan Rosenbaum is film critic for the Chicago Reader and the author or editor of fourteen books, including Movie Wars: How Hollywood and the Media Limit What Films We Can See, Movies as Politics, and Placing Movies: The Practice of Film Criticism.
--Tom Gunning, author of The Films of Fritz Lang "Film Studies""Sobre este título" puede pertenecer a otra edición de este libro.
Librería: St Vincent de Paul of Lane County, Eugene, OR, Estados Unidos de America
Condición: Good. DUST JACKET SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES, RUBBING, WORN EDGES AND CREASES. BOOK HAS SOME HIGHLIGHTING TEXT. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects. Nº de ref. del artículo: N-06-4900
Cantidad disponible: 1 disponibles
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 5780806-6
Cantidad disponible: 1 disponibles
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 4303716-6
Cantidad disponible: 1 disponibles
Librería: Brian farrance, Rochester, NY, Estados Unidos de America
Good. Dust Jacket Condition: Good. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Nº de ref. del artículo: ABE-1761605382270
Cantidad disponible: 1 disponibles
Librería: Avol's Books LLC, Madison, WI, Estados Unidos de America
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Nº de ref. del artículo: 227307
Cantidad disponible: 1 disponibles
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Hardcover. Condición: new. New Copy. Customer Service Guaranteed. Nº de ref. del artículo: 46B31_79_0801878403
Cantidad disponible: 1 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 2199270
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: GB-9780801878404
Cantidad disponible: 1 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 2199270-n
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Hardback. Condición: New. In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike. In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed.Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raul Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere. Nº de ref. del artículo: LU-9780801878404
Cantidad disponible: 1 disponibles