What becomes of the wicked? Hell―exile from God, subjection to fire, worms, and darkness―for centuries the idea has shaped the dread of malefactors, the solace of victims, and the deterrence of believers. Although we may associate the notion of hell with Christian beliefs, its gradual emergence depended on conflicting notions that pervaded the Mediterranean world more than a millennium before the birth of Christ. Asking just why and how belief in hell arose, Alan E. Bernstein takes us back to those times and offers us a comparative view of the philosophy, poetry, folklore, myth, and theology of that formative age.Bernstein draws on sources from ancient Egypt, Mesopotamia, Greece, Rome, and Israel, as well as early Christian writings through Augustine, in order to reconstruct the story of the prophets, priests, poets, and charismatic leaders who fashioned concepts of hell from an array of perspectives on death and justice. The author traces hell's formation through close readings of works including the epics of Homer and Vergil, the satires of Lucian, the dialogues of Plato and Plutarch, the legends of Enoch, the confessions of the Psalms, the prophecies of Isaiah, Ezechiel, and Daniel, and the parables of Jesus. Reenacting lively debates about the nature of hell among the common people and the elites of diverse religious traditions, he provides new insight into the social implications and the psychological consequences of different visions of the afterlife.This superb account of a central image in Western culture will captivate readers interested in history, mythology, literature, psychology, philosophy, and religion.
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Alan E. Bernstein is Professor of History at the University of Arizona.
What becomes of the wicked? Hell - exile from God, subjection to fire, worms, and darkness - for centuries the idea has shaped the dread of malefactors, the solace of victims, and the deterrence of believers. Although we may associate the notion of hell with Christian beliefs, its gradual emergence depended on conflicting notions that pervaded the Mediterranean world more than a millennium before the birth of Christ: Asking just why and how belief in hell arose, Alan E. Bernstein takes us back to those times and offers us a comparative view of the philosophy, poetry, folklore, myth, and theology of that formative age. Bernstein draws on sources from ancient Egypt, Mesopotamia, Greece, Rome, and Israel, as well as early Christian writings through Augustine, in order to reconstruct the story of the prophets, priests, poets, and charismatic leaders who fashioned concepts of hell from an array of perspectives on death and justice. The author traces hell's formation through close readings of works including the epics of Homer and Virgil, the satires of Lucian, the dialogues of Plato and Plutarch, the legends of Enoch, the confessions of the Psalms, the prophecies of Isaiah, Ezekiel, and Daniel, and the parables of Jesus. Re-enacting lively debates about the nature of hell which were argued among the common people and the elites of diverse religious traditions, he provides new insight into the social implications and the psychological consequences of different visions of the afterlife.
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
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Librería: Matthew's Books, Chattanooga, TN, Estados Unidos de America
hardcover. first edition. 8vo 391pp. from front flap: "What becomes of the wicked? Hell--exile from God, subjection to fire, worms, and darkness--for centuries the idea has shaped the dread of malefactors, the solace of victims, and the deterrence of believers. Although we may associate the notion of hell with Christian beliefs, its gradual emergence depended on conflicting notions that pervaded the Mediterranean world more than a millennium before the birth of Christ. Asking just why and how belief in hell arose, Alan E. Bernstein takes us back to those times and offers us a comparative view of the philosophy, poetry, folklore, myth, and theology of that formative age." #02316. Book VG+: mild shelf wear, mild spots of foxing to endpapers else clean, square, tight, unmarked. DJ VG: mild edge/handling wear. Nº de ref. del artículo: 2251
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